Matthieu Deniau

Thibault, Isabelle and their son Jeremie board their sailboat Joshua to sail the world and live a new life. The Gulf of Aden is watched over by Somali pirates, and while stopping in Djibouti, the happy family meets Mike, a black they know nothing about but innately trust. Inviting Mike to board the ship, the quartet travels onward in their sailboat…

Camille a 16 years old pregnant girl was placed in a maternal center by the Judge. She became friends with Alison, an immature young mother, and fought against the authority of Nadine, an educator as passionate as she was disillusioned.

1985 – two years after the end of the military dictatorship in Argentina, leading members of the junta are tried in court. Ulises de la Orden creates 18 succinctly edited chapters from 530 hours of footage, bearing witness to state terror.

Today is Raphael’s funeral. His young wife Lola doesn’t know what to do with her sadness, or with her 7-year-old son’s, or with anyone’s. Her sister Margaux is here, though they have been estranged for years. On their way to the ceremony, Lola forces Margaux to flee the procession and to take them away from this sad reality. During this improvised trip, the two sisters will rediscover each other and relearn freedom. The freedom of not wanting to bury the man you love.

Antes de abandonar os palcos por problemas neurológicos em 1972, Thelonious Monk fez sua última apresentação três anos antes, em Paris. Na ocasião, após o show, Monk se dirigiu para um canal de televisão francês onde seria entrevistado e tocaria algumas músicas. Devido a sua situação mental, o programa não chegou a ser exibido. Monk fala pouco, se expressa com um mínimo de palavras e não consegue desenvolver um papo fluente com o jornalista, mas sua capacidade musical ainda está intacta. Este é o registro do ocaso comovente de um gênio que pouco a pouco nos deixava.

When reformed ex-smuggler Pamfir returns to home to his village on the Ukrainian border after working abroad for several years, he’s determined to earn an honest living and set a good example for his beloved teenage son Nazar. But in a town where corruption runs deep and crime and religion are inextricably linked, his plan is quickly thwarted when Nazar sets fire to the local church in a misguided effort to keep him at home. To pay for the damage, Pamfir must take on one last job for a crime syndicate operating a risky smuggling venture in a place where all the rules have changed.

A fable about the Goddess Mari and her two sons, born of a mortal father, whom she entrusts to the devil for their education. Mikelats decides to stay with his master but Atarrabi flees—but the devil manages to hold onto his shadow.

"1998" arises from the diary written by a thirteen-and-half-year-old girl for her best friend, another girl, during the summor of 1998. The film visits the house, garden, and setting where the diary was written and where the female narrator spent her all her summer vacations until 2018. A text, a voice, a setting where we follow the tale of a summer and the intensity of the relationship with her best and adored friend.

In their small village, seventeen-year-old Léo and his friends are crazy about makeup. Jules, Léo's older brother, doesn't share his sibling's passion, fearing he'll be the laughing stock among his gang of pals. The night of the village's "open theater" event, against Jules' advice, Léo walks on the stage dressed in drag.

Zacarias, um jovem português de 17 anos, sonha em viver grandes aventuras. Por isso, ele se alista no Exército durante a Primeira Guerra Mundial. É enviado a Moçambique, na África, com a missão de defender a colônia portuguesa da invasão alemã. Zacarias, porém, contrai malária e é deixado para trás quando seu pelotão segue rumo ao front de batalha. O rapaz não se dá por vencido e parte, sozinho, para alcançar o esquadrão. Ainda sofrendo os efeitos da enfermidade, ele passa a ter dificuldade em distinguir a realidade das alucinações que vem tendo. Em sua jornada, o garoto encontra —ou acredita encontrar— animais selvagens, desertores alemães e colonos perdidos. O roteiro de Mosquito é baseado na história real do avô do diretor, que foi um dos soldados mandados a Moçambique na guerra.

Amine rouba uma sacola cheia de dinheiro e tenta escapar da polícia pelas colinas. Antes de ser pego, o homem consegue enterrar a mala e faz com que o lugar pareça um antigo túmulo. Depois de alguns anos, ele sai da prisão e começa a busca pelo dinheiro escondido. Chegando ao local, contudo, Amine descobre que ali foi construído um santuário em glorificação a um santo desconhecido. A missão de recuperar a fortuna torna-se, assim, muito mais complicada.

Luís Rovisco, um sexagenário divorciado, espera se aposentar em breve. Até lá, as músicas que inventa todos os dias enquanto dirige compensam as injustiças de sua vida. Mas na frente de Lucinda, a recepcionista do Hotel Almadrava, ele percebe que canta em um tom muito diferente.

Após anos de solidão no campo, Beauvais decide voltar para Paris, registrando seu último verão na Alsácia por meio de fragmentos dos filmes que assistia na época. Este diário em forma de colagem liga sua vida privada aos acontecimentos mundiais.

Após anos de solidão no campo, Beauvais decide voltar para Paris, registrando seu último verão na Alsácia por meio de fragmentos dos filmes que assistia na época. Este diário em forma de colagem liga sua vida privada aos acontecimentos mundiais.

Florença é uma atriz. Os preparativos para o novo papel irão desafiá-la de uma maneira que ela nunca poderia ter visto acontecer.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

Women and men are lost in their thoughts at random hours of the day and streets of the city. From this sudden intimacy, the murmurs of their little inner voice let us hear the anxieties of love.

Women and men are lost in their thoughts at random hours of the day and streets of the city. From this sudden intimacy, the murmurs of their little inner voice let us hear the anxieties of love.

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

In Spanish, ladrillo means bricks. It used to mean boom, construction, production, speculation. Today, ladrillo means crisis: disused clay pits, factories that are closed half of the year, ghost-towns, subprime mortgagers facing eviction. Bricks shows how the life of a simple commodity can be the mirror of a global crisis, and tells the story of people who come up with individual and collective strategies to overcome a seemingly desperate situation.

Winston Churchill, one of the most revered men of the twentieth century. Adolf Hitler, one of the most hated leaders in contemporary history. Between 1940 and 1945, these two enormously contradictory personalities faced each other in both politics and war. A clash of giants whose story begins in the trenches of the World War I and ends with the debacle of the World War II.

This film is an homage to the Gaza Strip and to the possibility of hope beyond hopelessness. Ouroboros, the symbol of the snake eating its tail, is both end and beginning: death as regeneration. A 74-minute experimental narrative film that turns the destruction of Gaza into a story of heartbreak, Ouroboros asks what it means to be human when humanity has failed. Taking the form of a love story, the film's central character is Diego Marcon, a man who embarks on a circular journey to shed his pain only to experience it, again and again. In the course of a single day, his travel fuses together Native American territories, the ancient Italian city of Matera, a castle in Brittany, and the ruins of the Gaza Strip into a single landscape.

Uma comunidade de anarquistas emigra para Acapulco, no México, para fugir dos poderes das nações e dos bancos. Mas, conforme o movimento cresce, a busca do coletivo por uma vida sem Estado é atrapalhada por riquezas, conflitos, drogas e assassinatos.

On a post-apocalyptic world of never-ending winter, a sparse cast of outsiders live underground. Due to their unsanitary conditions, sexual contact has become dangerous. Masturbation has become the paradigm of sexual experience and an array of low-tech devices with this purpose has come into existence. In this bleak reality, Czuperski (a dealer of such machines) and Tania (a sex addict) make a deal: she will allow him to experiment new devices on her body in exchange of pleasure. Soon however, their relationship goes out of control.

For Walid, a taxi driver in Damascus, the only place he can steal a private kiss with his love, Suhair, is in his car. When Suhair is invited by her friend to visit Tehran, she and Walid together board a train from the Syrian capital to Tehran. As they follow the stunning scenery captured beautifully on film, Walid and Suhair finally have an opportunity to get to know each other outside of his taxi…

Masquerading as another man, Antoine flies to New York for a three-day stay and promptly falls in love with Alice, who's dating someone else. When that doesn't work out for him, Antoine turns to the city itself for inspiration.