Emil Ruben

A young couple, and their 6 year old son, are trying to find a building so they can check out an apartment that they want to buy. After they have found the building, and the apartment, they discover that the old land lady have past away.

A Macedonian family from Bitola at the turn of the twentieth century tries to survive, preserve its roots and remain together.

Determinado a construir o melhor time de futebol de seu país, Dimitry contrata um treinador alemão, Rudolph Spitz, para estimular seu fraco time, mas quando os primeiros tanques nazistas chegaram a cidade e Rebecca, a linda filha do banqueiro local, foge com seu melhor jogador, todos os planos do Dimitry mudam.

A Romantic Drama with humor about two different Misfits who meet by accident in an old devastated Villa and step by step discover their feelings for each other...You must see this picture...

A Macedonian military deserter and his Italian blood-brother are searching for a dead grandmother wrapped up in a stolen carpet, all over the Balkan's criminal underworld.

An ailing communist reflects on a young boy childhood in Stalinist Yugoslavia.

A clerical worker endures another tedious afternoon with quiet desperation. But a trip to the bank where he encounters a surly teller pushes the mild-mannered clerk over the edge—his quiet desperation becomes the violent despair of a raging beast!

A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.

The film is based on the story FATHER by Petre M. Andreevski. An excerpt from life that weaves like a spider web around human destinies. The questions will hardly ever get the right answers.

The film is about a postman who has the "power" to know the content of the letters without opening them and he can predict the consequences that those letters cause.

"Glas" is the most widely circulated newspaper in the country. Editor-in-Chief Gligor agrees with a government minister to bring him into bankruptcy with one goal - to buy him cheap. To that end, they are appointing Anna as the newspaper's new director. Anna is a young journalist, full of enthusiasm, but inexperienced. She believes that the dirty and criminal games in the country are not the most important for a newspaper. In that sense, it's changing the newspaper's editorial policy - it no longer writes about the underworld. The circulation of the newspaper is declining day by day. Faced with the drop in circulation, she is in a dilemma, whether to continue to cover up the dirty things around her or to start publishing them, that is, to expose them…

Macedonian TV drama.

Youth, which courage is always without prejudice, in Skopje in time of Bulgarian occupation in WW2, desire freedom for the people, resolves to several actions, including the biggest, to assassinate the police chief Emanuel Machkov...

A TV drama about the friendship between 21-year-old Vilant, who after an accident is stuck in a wheelchair, and the small kid Gere.

The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.

The film has two stories. Story 1: A group f partisans, fighting against the enemy and harsh winter storm, comes to the village where locals are hostile to them. Story 2: One night during the war, a daughter of railway station chief helps the wounded partisan commander to escape; however Germans discover her deeds, and kill her.

A boy named Miso runs away from home and befriends new people who happen to be criminals.

A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.

The struggle of two Serbian peasants to choose between love of their families and love of their country.