A doctor, gynecologist, discover the corpse of his wife. His nurse advises to him to declare her death a simple heart attack, to clear himself without the slightest doubt. He refuses and calls the police force there. The interrogation of the doctor, then other witnesses, slowly reveals the truth of her demise…
Japão, 1960. Num complexo habitacional, um jovem aluno introvertido observa os seus vizinhos através de um telescópio: uma dona de casa que trai o marido com um ex-activista comunista desiludido com o fracasso da revolução, uma mulher que deliberadamente deixa cair a roupa interior na varanda dos vizinhos… a própria irmã, que ele observa em todos os seus movimentos.
Experienced shipyard worker Shimazaki gets an offer of free lodging from his employer in the company seaside rest house if he agrees to see to its running. After moving in, Shimazaki finds out that this will also mean taking care of a flock of youngsters, and he soon becomes their none-too-successful warden. At work the boys are disciplined, as soon as they return to their dormitory however they turn into an unmanageable mob.
Nagisa Oshima’s most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950s and the failure of political radicalism. Taking its title (as a reference or homage) from Alain Resnais’ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. —Yume Pictures
