Screenplay
Director
Writer
Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.
Director
Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.
Director
Alexandre (Joffrey Verbruggen) , 15 anos, vive com seu pai, suportando uma violência implacável e se rebelando contra tudo. Para escapar dessa vida cotidiana, ele irá ao rio Meuse, e tem apenas uma obsessão: conquistar um campeonato de remo a qualquer custo. Sergi, o seu treinador, e Murielle, a garota por quem está apaixonado, ajudarão Alexandre a redescobrir os valores humanos que perdeu. Uma curva de aprendizagem longa e difícil. A trilha sonora de rock ilustra bem a raiva de Alexandre usada de forma a se superar no barco.
Writer
Director
Writer
Eleven years after the genocide, the film accompanies survivors and executioners before and after the first Gacaca trials where they come face to face. There is Obede, accused of killing children and whose request for forgiveness is just a cynical strategy to be released. There is Gahutu, who has "no remorse" and who in front of his judges, always speaks of "snake" to talk about those who were exterminated. Finally, there is François, forced to kill his own brother in order to survive and who is now trying to reconcile with his sister-in-law. Through these three stories, the film weaves a portrait of a society at war with the ever-present ideology of genocide.
Director
Eleven years after the genocide, the film accompanies survivors and executioners before and after the first Gacaca trials where they come face to face. There is Obede, accused of killing children and whose request for forgiveness is just a cynical strategy to be released. There is Gahutu, who has "no remorse" and who in front of his judges, always speaks of "snake" to talk about those who were exterminated. Finally, there is François, forced to kill his own brother in order to survive and who is now trying to reconcile with his sister-in-law. Through these three stories, the film weaves a portrait of a society at war with the ever-present ideology of genocide.
