Brett Michael Innes
Nascimento : 1983-01-01, Johannesburg, South Africa
Producer
James is an actor with a failed career. When he is offered an opportunity to earn a little extra by performing as a drag queen at a club, he accepts. His wife finds out and a row is unavoidable. James is ready to do anything to save his marriage, to prove that the role he has been entrusted with at the club is perfectly honourable and he is in high regard. He also has to apply his best acting skills when an investigation into the suspicious murder of the club’s diva is opened.
Screenplay
Daryn Miller is a cry-baby wimp, who still carries his baby fat. He isn’t a cunning businessman like his granddad, who opened a fitness club in a Johannesburg suburb 60 years ago. And, he’s definitely not a winner like his father who – as a successful bodybuilder – helped the business flourish. Under Daryn’s management, debts rise and membership decreases. On top of that, he finds a hostile competitor in Stars Fitness, a chain run by a dyed-in-the-wool career woman, who prefers to destroy her competitors instead of out-compete them.
Director
Daryn Miller is a cry-baby wimp, who still carries his baby fat. He isn’t a cunning businessman like his granddad, who opened a fitness club in a Johannesburg suburb 60 years ago. And, he’s definitely not a winner like his father who – as a successful bodybuilder – helped the business flourish. Under Daryn’s management, debts rise and membership decreases. On top of that, he finds a hostile competitor in Stars Fitness, a chain run by a dyed-in-the-wool career woman, who prefers to destroy her competitors instead of out-compete them.
Producer
South Africa, present day. A god-fearing woman finds herself in a transactional relationship as she tries to support her sick husband and daughter.
Editor
South Africa, present day. A god-fearing woman finds herself in a transactional relationship as she tries to support her sick husband and daughter.
Screenplay
South African wilderness 1800's. Five years after their mother died, Rachel, a girl on the cusp of adolescence and 5-year-old Jamie find themselves on their way to the virgin gold fields with their father, Herman, as he tries to start a new life. When Jamie goes missing in a freak snow blizzard, Rachel braves the storm to look for her little brother.
Screenplay
Fiela Komoetie, a coloured woman living in the arid Karoo, finds a lost white child on her doorstep and takes him in, raising him as her own. Nine years later, Benjamin Komoetie is removed and forced to live in the Knysna Forest with Elias and Barta Van Rooyen, a family of woodcutters who claim that he is theirs. Separated by law and geography, they spend the next decade trying to find each other while simultaneously coming to terms with their individual identities.
Director
Fiela Komoetie, a coloured woman living in the arid Karoo, finds a lost white child on her doorstep and takes him in, raising him as her own. Nine years later, Benjamin Komoetie is removed and forced to live in the Knysna Forest with Elias and Barta Van Rooyen, a family of woodcutters who claim that he is theirs. Separated by law and geography, they spend the next decade trying to find each other while simultaneously coming to terms with their individual identities.
Producer
‘Sink’ tells the story of Rachel, a Mozambican domestic worker based in Johannesburg, who is forced to make a devastating choice after her daughter drowns whilst under the care of her employer; return to poverty stricken Mozambique or continue working for the family responsible for the death of her child so she can support her extended family back home. The story is a haunting exploration of motherhood, loss and the walls that separate people.
Writer
‘Sink’ tells the story of Rachel, a Mozambican domestic worker based in Johannesburg, who is forced to make a devastating choice after her daughter drowns whilst under the care of her employer; return to poverty stricken Mozambique or continue working for the family responsible for the death of her child so she can support her extended family back home. The story is a haunting exploration of motherhood, loss and the walls that separate people.
Director
‘Sink’ tells the story of Rachel, a Mozambican domestic worker based in Johannesburg, who is forced to make a devastating choice after her daughter drowns whilst under the care of her employer; return to poverty stricken Mozambique or continue working for the family responsible for the death of her child so she can support her extended family back home. The story is a haunting exploration of motherhood, loss and the walls that separate people.