Taku Shinjo
Nascimento : 1944-02-01, Okinawa Prefecture, Japan
Screenplay
Set within the Aokigahara forest on Mount Fuji, a famous location for suicides. Follows the love and life between a man and woman.
Director
Set within the Aokigahara forest on Mount Fuji, a famous location for suicides. Follows the love and life between a man and woman.
Director
Em 1943, como o esforço de guerra japonês enfraquece, um vice-almirante propõe começar o treinamento de esquadrões de "pilotos voluntários" para abalroar com seus aviões armados os navios de guerra dos Aliados. Yarn segue a vida desses pilotos kamikaze, como relembrado pelo envelhecido restaurador Kyushu que preza a sua memória. Honra os mortos e inúmeros hinos militares pode agitar um pouco a alma do japonês, mas em outros lugares alguém vai fazer uma viagem só de ida. Cenas de batalha são bem realizadas e o roteiro traz algumas cenas memoráveis.
Executive Producer
Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.
Director
Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.
Assistant Director
TV film about the "Nishiyama Incident", a scandal surrounding the 1972 return of Okinawa to Japan. Produced to commemorate the 20th anniversary of TV Asahi in 1978 and released theatrically by Office Henmi in 1988.
Director
It depicts a young man who challenges a 2600km traverse of Japan from Hidaka in Hokkaido to Kagoshima in Kyushu with Hokkaido horses.
Director
Four girls and their manager aiming for stardom!
Screenplay
Director
Assistant Director
A couple originally from Okinawa run an inexpensive restaurant in Kobe, with their grade-school daughter, Fuuchan. The movie depicts the warm interaction between her and adults that grew up with the rough history of Okinawa and discrimination from the mainland. Shots partly on location at beach of Itoman, Yogi Park and Hateruma Island. This is the movie version of the well-known novel by Kenjiro Haitani.
Assistant Director
Com base em registros políciais e no premiado livro escrito por Ryuzo Saki, este filme relata a terrível onda de crimes de Iwao Enokizu, um homem vazio sem "kokoro", que significa em japonês, tanto "eu" como "coração". O funcionário insatisfeito, Enokizu mata várias pessos, sem qualquer razão e consegue escapar da polícia, mesmo com seu rosto celebrizado em todo país. Mas, seu pai e sua esposa, que sabem do seu segredo, tentam viver tranquilos. Depois de realizar vários documentários, insatisfeito com as limitações da forma narrativa, Shohei Imamura criou este filme. Aparentemente, um drama policial simples, Minha Vingança incorpora vários toques surrealistas, incluindo um final em que a "lei da gravidade" é esquecida.