Matthew Taylor Blais
Nascimento : 1992-07-10, Toronto, Canada
História
b. 1992, Canada.
Director
Nietzsche's Engadine. To the excitement of encountering original ideas, to the joy of reading, etc.
Producer
A trip to Peru.
Editor
A trip to Peru.
Director
A trip to Peru.
Producer
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Sound Recordist
A virtual love story set in Vancouver, New York, and the dying world of a massively multiplayer online role playing game.
Editor
"Images and sounds culled from the first few months with my daughter, sometimes resembling that of a family group chat, where pictures and videos are shared; small moments. The film is full of joy, and full of uncertainty, barely holding itself together." A companion piece to 'My Heart is Walking Around Outside of my Body'.
Director
"Images and sounds culled from the first few months with my daughter, sometimes resembling that of a family group chat, where pictures and videos are shared; small moments. The film is full of joy, and full of uncertainty, barely holding itself together." A companion piece to 'My Heart is Walking Around Outside of my Body'.
Producer
A filmmaker sits down at his computer and gets to work.
Editor
Last autumn, a baby was born.
Director
Last autumn, a baby was born.
Editor
A man comes home to find a mysterious box on his living room floor.
Director
A man comes home to find a mysterious box on his living room floor.
Editor
An anxiety-free day. Trees, flowers, bridges, the ocean, and people reading (the same book).
Director
An anxiety-free day. Trees, flowers, bridges, the ocean, and people reading (the same book).
Best friend
An anxiety-free day. Trees, flowers, bridges, the ocean, and people reading (the same book).
Editor
A woman gets lost in the woods.
Writer
A woman gets lost in the woods.
Director
A woman gets lost in the woods.
Editor
The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.
Director
The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.
Producer
Based on the novel by Leo Perutz, a young man is handcuffed and explores spaces around a universal city.
Cinematography
#13, glancing, or avoiding.
Editor
#13, glancing, or avoiding.
Director
#13, glancing, or avoiding.
Editor
The carefree childhood existence of an Indigenous brother and sister is torn apart when the sister is forced to attend a Residential School far from home.
Writer
The carefree childhood existence of an Indigenous brother and sister is torn apart when the sister is forced to attend a Residential School far from home.
Director
The carefree childhood existence of an Indigenous brother and sister is torn apart when the sister is forced to attend a Residential School far from home.
Editor
A portrait of Kenya, the Hope Development Centre in Kikima, and their orphans. The main focus is an expedition called "Walking Home", a 150km walk through Kenya seen from the perspective of four of Hope's orphans: Mutuku, Baraka, Mulwa, and Keli.
Cinematography
A portrait of Kenya, the Hope Development Centre in Kikima, and their orphans. The main focus is an expedition called "Walking Home", a 150km walk through Kenya seen from the perspective of four of Hope's orphans: Mutuku, Baraka, Mulwa, and Keli.
Director
A portrait of Kenya, the Hope Development Centre in Kikima, and their orphans. The main focus is an expedition called "Walking Home", a 150km walk through Kenya seen from the perspective of four of Hope's orphans: Mutuku, Baraka, Mulwa, and Keli.
Editor
Home movies in a new home.
Director
Home movies in a new home.
Editor
#5, transitions, 0$, form
Director
#5, transitions, 0$, form
Editor
On the surface: finishing 'Clouds of Autumn'; a film for the sake of making one - meant to be watched on the internet, digital's greatest commodity is not $$$$ but time, and a new process, painters and poets, the personal costs $0, fuelled by ideas, reflections, 3 isolated days of editing, the next station is -
Director
On the surface: finishing 'Clouds of Autumn'; a film for the sake of making one - meant to be watched on the internet, digital's greatest commodity is not $$$$ but time, and a new process, painters and poets, the personal costs $0, fuelled by ideas, reflections, 3 isolated days of editing, the next station is -
