Nicolas Repac

In 1982, Yann Andréa and Marguerite Duras have been living together for two years. She is almost 70 years old, while he is 38 years her junior. Andréa asks journalist and writer Michèle Manceaux to interview him about his life with Duras, an obsession that both impassions him and drives him mad. He believes by entrusting their story to Manceaux, he may gain more clarity of the relationship. What follows is an intense and compelling conversation delving into the deepest recesses of modern love.

The new documentary made from the Slánský trial film and audio archives found by chance in 2018 in a warehouse in the suburb of Prague served as a starting point for the film. The director tells the trial through the descendants of three of the condemned: the daughter and grandson of Rudolf Slánský, the son and granddaughter of Rudolf Margolius, both executed after the trial, and the three children of Artur London, sentenced to life imprisonment.

Claire Simon goes to Lussas, in France’s Ardèche, home to a vibrant community of documentarians. She films the creation of Tënk, an online platform for auteur documentaries. The initiative is a labour of love for the passionate and optimistic people behind it, but the process is long and arduous, as cultural projects often are. The filmmaker followed them for months, capturing their doubts and dilemmas: how do you manage everyday conflicts? Be accepted by a rural population that you aren’t part of? By the general public? Reconcile private life and professional calling? Reassure the mayor? Secure funding without making ethical compromises? A fascinating, bittersweet and insightful behind-the-scenes film. (Apolline Caron-Ottavi)

Gustave Folcher, a French farmer, wrote in his 1939 diary that the summer had been long and hot. He was not alone. Many other anonymous French men and women wrote of the beauty and warmth of those summer months and how threats of war were far from their minds. Through home movies, diaries and letters, One Last Summer describes the final weeks of peace in France and the mix of blindness, denial and prophetic clear-sightedness of those facing the war that was about to unfold.

Por um conjunto de acasos, Arnaud Jaurès, jovem licenciado de 25 anos e sem experiência política anterior, vai parar à equipa de campanha de um candidato às eleições presidenciais francesas. Torna-se rapidamente assessor da diretora de comunicação, Agnès Karadzic, uma mulher com muita experiência e bastante poder. É ela que lhe vai ensinar as táticas de campanha, no meio das rivalidades e golpes baixos que marcam a equipa que rodeia o candidato. E o promissor assessor lá vai subindo escalões...

After selecting a building at random in a Jewish neighborhood in Paris, French director Ruth Zylberman meticulously reconstructed its community of inhabitants during the German occupation. What results is the spellbinding 209 RUE SAINT-MAUR, an experimental historiography that tells the emotional story of lives uprooted and destroyed under the Nazis.

During the height of summer, Caroline, a forty-year-old Parisian and mother, arrives in a small village in the south of France. She must hastily organize the funeral of her mother, a flighty lawyer, whom she barely used to see. Caroline is welcomed by Pattie, who likes to talk about her love affairs with the local men to anyone who'll listen. Then, while the whole valley gets ready for the traditional mid-summer dance, Caroline's mother's corpse mysteriously disappears...

Equipado com pouco mais do que uma bússola e uma câmera, o cineasta Laurent Hasse viaja pela França e reflete sobre a felicidade e o sentido da vida.