Inna Fyodorova

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

The film is set in the 1930s in the USSR. The film tells about one day of the construction of the Magnitogorsk Iron and Steel Works. The heroes of the film are simple construction workers who are burning at work. Upon learning that their colleagues in Kharkov have set a record, they mobilize to break it. The entire construction site was engulfed in immense socialist competition. The teams are ready to complete the work on time at any cost. A Moscow journalist who has come to cover the scale of the great construction project is looking for the hero of his report...

The dentist of the provincial town of Upper Yamki made an unexpected scientific discovery by finding the thirty-third tooth in the patient’s oral cavity, Ivan Sergeyevich Travkin. Travkin, exhausted from pain, was taken to Moscow. Ivan Sergeyevich first becomes a patient of a madhouse (thanks to envious persons), and then — a hero of a scientific international conference and, finally, a patient of a dentist professor Bruk.

The beginning of the 1950s. Nikolai Babushkin, a young specialist in one of the taiga construction sites, who had just been elected a deputy of the district council, was sent behind a brick to the city of Dzhegor. He is already familiar with the bold project of the engineer Cheremnykh, according to which one of the shops of the brick factory can be transferred to the production of expanded clay blocks in a short time. To provide the construction site with the necessary material, Nikolai gathers a team and helps the inventor to implement the project. There, in Dzhegor, he meets Irina, a graduate of the architectural institute …

On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.

Feature film.

The film takes place during the civil war. Tolya Dergach, having lost his parents, falls under the influence of bandits looking for hidden treasure in the ruins of the estate. The boy, of course, will understand his new friends — and together with old friends will help the security officers to neutralize criminals.

The end of the XIX century. Petya, an eight-year orphan who has been cast in training German acrobat Karl Becker, who curses and beatings would incorporate the new assistant to the circus profession and ruthlessly exploited child in their speeches. The only consolation, brightens the harsh life gutta-percha boy, as referred to Petya on the posters, is the concern of the carpet clown Edwards, who regretted the fatherless and secretly taught him this circus arts...

Policemen investigate a murder and find out astonishing facts.

Local comic duo from the Ukraine reach for the "big time" by entering a talent contest for the Moscow vaudeville circuit, must overcome the interference of an established, competition-shy duo who are helping judge the contest.

The first day of the war brings tragedy to a peasant woman, Pasha. Her husband and her toddler son die before her eyes. She and the other villagers leave to go into the woods. Pasha leads the villagers to fight some German troops. Coming out victories, the partisans become a feared opponent of the Germans, with the leadership of Comrade P.

Zoya Vladimirovna Strelnikova, a famous operetta actress, quits the theater and gets a nanny in a military hospital. There she meets the wounded major Peter Nikolayevich Markov.

Collective farmers of the Volga region decide to create the first female fishing team. Her hardworking and neat Varvara Kladova, a quiet and gentle woman suffering from adultery with Stepan's husband, becomes her head. Having overcome the first difficulties, women are ahead of the brigade of men. And this makes Stepan look at his wife with different eyes.

"Se amanhã houver guerra" [Если завтра война] foi produzido nas vésperas da II Guerra Mundial. É um "típico" filme de propaganda patriótica bélica; sobre a capacidade da URSS de repelir qualquer agressor (dastaque para os alemães). Documenta treinamentos, desfiles, recrutamento e o preparo do Exército Vermelho para a guerra iminente. Dzigan, no início da década de 1930, havia feito filmes sobra a emancipação feminina tais como "O julgamento deve prosseguir" [1930, Женщина] -- camponeses, nas fazendas comunitárias -- e "Mulher" [1932, Суд должен продолжаться] -- citadinos, sobre o machismo e outros costumes burgueses. Na segunda metadade dos anos 30, Dzigan é designado como diretor de filmes militares, como "Nós somos de Kronstadt" [1936, Мы из Кронштадта] e este, o qual foi co-dirigido por Efim Dzigam [Ефим Дзиган], Lazar Antsi-Polovskiy [Лазарь Анци-Половский], Nikolay Karmazinskiy [Николай Кармазинский] e Georgi Beryozko [Георгий Березко].

The second part of pretending schoolgirl's adventures, wine's prenatal stage and two scarecrows running on Sommera street.

Yasha, who likes Anna, accomodates siberian Pavel Kuganov, which later becomes a class-conscious worker in a factory. Anna refuses Yasha's offer of marriage and he therefore runs off to Siberia. After Pavel is hailed as a hero because he survives a fire accident in factory (which is in fact effect of his sabotage), Anna marries him. Pavel then becomes a reckless communist careerist, but only on surface. In fact, he is a traitor of the country and a spy, and gives Anna's party ID card to anti-communist movement. In spite of that, Anna is expelled from the communist party. Yasha returns from Siberia, only to find her love Anna desperate. They reveal the truth about Pavel (that he is a kulak who killed a kolchoz co-op leader), which means an end for Pavel.

Life in a Russian village at harvest time as idealized peasant pastoral, concentrating on the landscapes and folk songs of the region.

The picture compares the fate of two heroines Anna and her lively and energetic sister-in-law Vasilisa, who openly defies the old way of life.