Ashwiny Iyer Tiwari

Ashwiny Iyer Tiwari

História

Ashwiny Iyer Tiwari is an Indian filmmaker and writer. After working in advertising for several years, she made her debut by directing the 2016 comedy drama Nil Battey Sannata. The film garnered critical acclaim and Tiwari went on to direct its Tamil remake entitled Amma Kanakku.

Perfil

Ashwiny Iyer Tiwari

Filmes

Bawaal
Co-Producer
Ajju bhaiya, a history teacher from a small town with a fake public image embarks on a World War II trail along with his wife Nisha, only to discover war within him. Differences grow between them as they continue to fight their inner demons.
Bawaal
Story
Ajju bhaiya, a history teacher from a small town with a fake public image embarks on a World War II trail along with his wife Nisha, only to discover war within him. Differences grow between them as they continue to fight their inner demons.
Tarla
Producer
Follows the journey of India's iconic home chef, Tarla Dalal. It captures the integral role she played in empowering women and helping them realise their dreams through food.
Três Histórias de Amor
Director
Na correria da cidade grande, pessoas solitárias encontram fontes de conexão e companhia onde menos esperam nestas três histórias de amor, perda e desejo.
Panga
Story
'Panga' follows the triumphs and struggle of a national level Kabbadi player from India who receives the love and support from her family to help achieve her dream.
Panga
Screenplay
'Panga' follows the triumphs and struggle of a national level Kabbadi player from India who receives the love and support from her family to help achieve her dream.
Panga
Director
'Panga' follows the triumphs and struggle of a national level Kabbadi player from India who receives the love and support from her family to help achieve her dream.
Metade do Céu
Director
Metade do Céu é composto de cinco segmentos, dirigidos por mulheres, que abordam o feminismo por meio de diferentes narrativas, vindas de países diversos. Maria Helena mora em São Paulo e precisa encarar uma jornada de volta à sua terra natal, Minas Gerais, onde está sua família, que a negligenciou no passado. Em uma região rural da Rússia, Valentina, uma mulher de meia-idade, causa furor ao se relacionar com um detento pela internet. Após um incidente doméstico, a indiana Seema, que sempre se dedicou a cuidar do marido, dos filhos e dos agregados, desestabiliza a família quando anuncia que quer dar um tempo das responsabilidades da casa. Na China, a viúva Shuxian Qin planeja um jantar em família para que a filha, Xiaodan, aceite seu novo namorado.
Bareilly Ki Barfi
Screenplay
Comédia romântica sobre uma jovem inquieta e rebelde, frustrada com as limitações da vida em sua pequena cidade. Sua trajetória muda quando ela lê um romance com o qual se identifica profundamente, e resolve ir atrás do misterioso autor do livro, por quem se apaixona.
Bareilly Ki Barfi
Director
Comédia romântica sobre uma jovem inquieta e rebelde, frustrada com as limitações da vida em sua pequena cidade. Sua trajetória muda quando ela lê um romance com o qual se identifica profundamente, e resolve ir atrás do misterioso autor do livro, por quem se apaixona.
Amma Kanakku
Screenplay
A mother tries to persuade her daughter who has given up on her studies to pursue her education despite the financial burdens.
Amma Kanakku
Director
A mother tries to persuade her daughter who has given up on her studies to pursue her education despite the financial burdens.
Nil Battey Sannata
Dialogue
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
Nil Battey Sannata
Screenplay
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
Nil Battey Sannata
Director
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.