Frédéric de Pasquale

This fantasy about a young man who becomes a bear, who becomes a young man again is equally ambivalent in its identity -- it is a drama that becomes a comedy that becomes a satire, and is not quite a straightforward fable. After the young man runs away from being shackled to a cabin, he spends the winter in a cave and emerges as a bear (obviously a man wearing a bear suit). He is taken in by a writer who teaches him how to use a computer, which somehow poses no problem. The bear speaks like the young man and for awhile tries working as a computer operator, undoubtedly raising questions about the standards in that field. While invited to tea one afternoon, the bear kills a dog in self-defense and is forced to head back to his cave for the winter -- where he emerges after a long hibernation as the young man. In retrospect, contact with the computing world had quite a transforming effect.

The notorious and mysterious criminal Furax steals France's famous monuments, replacing them with replicas.

A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

Medieval soldier of fortune Ettore is travelling through Europe with his partners looking for fight where they can earn some money. When they come across a Spanish castle under siege by the French army, Ettore first bides his time to determine which side is the winning one (and thus more likely to pay his fee). This is as first the French, but the treatment he receives from them is unpleasant enough to make him change his mind and turn to the Spanish side. Somehow, Ettore must rally the weakened Spanish troops to battle their enemy long enough for reinforcements to arrive.

An Italian prison official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released - but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.

No final de 1972, o vigarista e ladrão Simon recebe uma permissão para celebrar o Ano Novo fora da Prisão La Santé. Quando estava indo para seu apartamento em Paris para encontrar sua amante Françoise, Simon percebe que um carro está perseguindo o seu táxi. No apartamento, Simon percebe que Françoise tem um amante e deixa o local sem ser notado. Simon lembra o Natal de 1966, quando ele viaja para para Cannes fora da temporada de verão com seu parceiro e amigo Charlot para assaltar a joalheria Van Cleef Arpels. Enquanto traça um esquema para roubar os joalheiros, Simon encontra a antiquária e intelectual Françoise cuja loja é vizinha de lado do alvo. Ele se apaixona por ela. Mas seu plano não funciona como previsto e Simon é preso.

Ange leaves New York to fly to his native Corsica. His mother is dying and Ange, who was not present when his father died, wishes to be present at her death. In Corsica Ange finds his brother Baptiste who married Maria, the woman he loved. He finds out that his father was killed, but nobody wants to tell him the name of the killer. And finally he finds two killers expecting him.

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

Marselha, França. Um assassino profissional, Pierre Nicoli, mata um detetive francês. Paralelamente em Nova York, Jimmy “Popeye” Doyle, um detetive da polícia, e Buddy “Cloudy” Russo, seu parceiro, investigam discretamente Salvatore “Sal” Boca, um pequeno comerciante, que está tendo gastos muito acima da sua renda. Cada vez existem mais indícios que grande parte da renda de Sal é ganha ilegalmente e, no processo, é ajudado pela esposa, Angie Boca.

Nicholas is a conscience-stricken international news photographer. Revolted by what he has seen in wars in Africa and Indochina, he leaves his job and his girlfriend to do sports coverage. While covering a rugby match between the French and Irish teams in Ireland, he runs into an ex-American girlfriend, and their affair begins again. As she is very down-to-earth, she helps him begin to sort things out.

Tough and uncompromising late 60s espionage.

Mary and Louis have been married for 10 years and have 2 children. Louis is a construction worker who, to support his wife and children in a comfort, works more and more. Mary asks Louis to spend more time with his family, but he replies that it is impossible. Marie makes the acquaintance of a former teacher of her son, he seems seduced by Marie who invites her over several times in the company of his children, his home ... The couple become unglued a little more when Louis meets a young prostitute. Can the couple manage to get through this?

Delphine is a country girl who travels to the big city in search of feminine emancipation and freedom. Attending wild parties and nightclubs, she meet a young rock star.

A little girl tries to reconcile her separated parents.

These space people have cat eyes and a disintegrating pistol; and when they touch a woman 's lips with their magic kiss.

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

A mysterious violent man breaks into a rich couples apartment and holding his wife hostage. The threatening and dangerous situation devolve into an erotic game.

Catherine is left unmarried and pregnant when her mobster sweetheart is killed in this gangster comedy. With the help of another unmarried mother-to-be, Catherine goes looking for the stash of cash buried by her lover before his death. Soon other thugs and her suspicious neighbors are following their every move in an attempt to recover the lost loot...

Depicts the everyday life of the Pieds Noirs, those people who lived on the other side of the Mediterranean.

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

"Les petits matins" is a story of eighteen-year old Agathe (Agathe Aëms) with a firm independence of men even if she uses them to get to the côte d'azur. Along the way she meets a lot of people , mostly men. And the director does not spare the sterotypical image of early 60s middle aged male cliches to lampoon. But this is all very light stuff, nothing too intellectual. But it's often charming, and there's a bevy of well-known actors involved. Jean -Claude Brialy (the pompous, self absorbed male lead of Rohmer's "Claire's Knee"), Claude Rich, Lino Ventura, François Perrier, Pierre Brasseur, and the couple Bernard Blier & Arletty, who team up here for the first time since Marcel Carné's "Hôtel du Nord" (1938).

Paul fishes out of the water the body of his greatest enemy. To avoid accusations that he is a killer, taking steps that will clear his good name.

A man becomes obsessed with a woman, who is unreceptive to his advances. Jealous of her attraction to another, he becomes increasingly desperate. His frustration reaches a peak when the woman hints at another liaison.