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When Sarah, a New York actress, calls Joe, a London playwright they begin a very special relationship conducted through trans-Antlantic phone calls. And both Sarah and Joe have very special conditions they both have to fight to overcome their separation.
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Michael Frayn play part of TV series Theatre Night.
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Three married couples discover that, through a legal technicality, they are, in fact, not actually married in the eyes of the law. This was the fifth television film version of this play by J.B. Priestley made by the BBC.
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White golliwogs, cross-dressing coppers, bellboy rapists, insanity, incest, and Winston Churchill’s giant member all play their part in this BBC production of Joe Orton’s farcical, bitingly satirical 1969 play, in which the head psychiatrist of a lunatic asylum, when trying to conceal the attempted molestation of his new secretary from his wife, only succeeds in making himself (and everyone else) look completely round the bend.
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Produced in 1976 for BBC's Play For Today. Banned for 11 years, and finally broadcast on August 25th, 1987. It was remade, with Denholm Elliot returning to the cast, in 1982.
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"I wish I could write ... about what Spain was like - a real cause. Not just Cornford, Hemingway and Orwell, but the ordinary blokes who went." A confused industrial dispute at a London hospital triggers off in trade unionist George Harley 's mind memories of his days fighting in the Spanish Civil War, when the issues seemed so much clearer.
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Katie, the 14-year-old daughter of a travelling family, is left in charge of an ailing mother and her nine brothers and sisters in Dublin whilst her father is in England seeking his fortune.
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Comedy drama written by Brian Clark.
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Two stories about school. Gotcha by Barrie Keeffe: On his last day at school, a 'no hope' 16-year-old pupil holds his teachers hostage using a motor-bike petrol tank as a bomb. Campion's Interview by Brian Clark: A headmaster takes on the Education Authorities on behalf on his pupils, exposing the political pressures behind the creation of a comprehensive school.
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A quietly unhappy housewife finds a stranger in her house and is raped at knife-point by him. But when she turns to friends, neighbours and her parents-in-law for sympathy, they all seem preoccupied by other matters.
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When his father becomes a bomb victim, Jimmy leaves Belfast for his uncle’s farm in remote west Ireland. But even here there are links to the past.
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A comedy about the law - seen from the inside. All formality and procedure on the surface but not quite so convincing when you see the works.
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Richard and Jane Elkinson are having their annual Christmas party. Only trouble is stockbroker Richard's been made redundant and, as the night wears on, the guests are becoming less tactful
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Eleanor seems normal enough to her parents and teachers. Why then has she disappeared?
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Play about Eileen who steals a baby, and the reactions of those around her, including the priest, police, and authorities and the consequences of what she does.
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Glen, a complete stranger, appears at the door of Elizabeth Carter, a middle-aged woman, and claims to be the illegitimate son she gave away at birth.
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Keith Waterhouse's near autobiographical tale about characters from his childhood.
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Arthur takes early retirement, and with his wife Marion, moves into a bungalow by the sea, bought by their son. However, disillusionment sets in after a year when the plans he had do not work out and life is not what they expected or hoped.
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They are all 'in' for life so the pleasures are sparse, and strictly of their own making.Their really big event is the Christmas pantomime, only this year they have lost their star. Mother Bear has escaped. Still, there is some consolation. The new arrival looks a likely Goldilocks. "There's one or two who'll be after him", says Woodbine - and he knows all their weaknesses.
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Was this the finest hour? Sifting the truth and fiction about the Battle of Britain, Burrows and Harding give their own account of how the nation sees its heroes - and itself.
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Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.
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A musical version of the life of the 17th Century English radical politician, John Wilkes, who campaigned for the right for voters to determine their representatives, not the House of Commons.
