Chalermrat Kaweewattana

Na Tailândia, um refugiado cria uma nova identidade como profissional do sexo e se vê envolvido nos esquemas perigosos de um cliente, que podem levar a uma vida melhor.

Zahara (Asmara Abigail), a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad (Bront Palarae), claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

Zahara (Asmara Abigail), a stateless refugee, lives on a small remote island in Malaysia, where she makes a living selling turtle eggs. One day, Samad (Bront Palarae), claiming to be a university researcher, visits the island, wanting to employ Zahara to show him around. As the day goes on, Zahara and Samad become entangled in a dangerous dance of duplicity and deception.

Arnold is a clever student who has won many academic awards. One day, he meets Bee who has an underground business of helping students to cheat their exams. Bee asks Arnold to join his cheating ring and offers him a lot of money. While Arnold is considering working with Bee, at his school, many students are not happy with the school’s disrespect of their freedom and they organize a big protest.

A spiritual time-shifting drama following a woman from her carefree 20s in 1960s rural Thailand to present-day Bangkok as an older army general's wife.

After his father disappears, a monk’s son spends a day and a night around the temple, where mysterious crystals have recently started growing on a bird’s nest. Intimate conversations, reflections, and a shared meal help him put everything into perspective and let go of the past.

Este curta explora ideias sobre o eu através de formas líquidas filtradas através de tecnologias informadas pela história da animação tailandesa e cultura contemporânea. Num processo constante de construção de novos eus, reflexões sobre depressão são interligadas com diferentes formas de animação.

Based on a true story, "Pid pokati mai" is a reflection on human life during the Covid-19 pandemic and, also, under the Emergency Decree. "Pid pokati mai" follows many characters from different scenarios who share the same awkward situation.

Satsuki lost her boyfriend, Hitoshi, in a car accident. Unable to face up to his death, she spends her days unable to sleep properly. At some point, Satsuki began to jog at dawn as part of her daily routine, and on a bridge she always passes, she meets a mysterious woman named Urara.

In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.

Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

Em uma vila à beira-mar, Nobi, um pescador local, encontra um homem ferido inconsciente na floresta.

A collection of short films by five Thai directors imagining their country ten years into the future.

A collection of short films by five Thai directors imagining their country ten years into the future.

A group of teenagers conducts a cremation ceremony for a man who is entering the afterlife while still being sought by the military for deserting. Shot on expired black-and-white film stock, the deteriorating image surface echoes life fading away in this tribute to the director's friend.

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

The first railway line in Thailand was inaugurated in 1893 – a sign of progress and prosperity. Shot over eight years on every active line of the country’s railway system, this wondrous documentary offers an unprecedented immersion into the country’s past and present.

Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.

Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.

A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.

A drama depicting life in different paths. As two men delve deep down in search for what could heal their pains, through the path of imagination, they see themselves in each other.

A Thai documentary about 'Van VDO' the VHS shop in 1990s. The shop established the independent cinema scene for Thai audience by selling VHS of American, European, and Asian indie films. However, all of them are pirate and illegal.

Two different boys, from different backgrounds and ways of life, seek answers for themselves in religion.

This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.

This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.

Mary is in her last course of school. She'll confront sudden changes in her life, loving relatins and friendship. Based on some tweets of an anonymous girl.

The film follows four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.

Tul, um assassino de aluguel, é baleado na cabeça durante um trabalho. Depois de dois meses em coma, ele acorda e descobre que passou a ver tudo de ponta-cabeça. Ele volta para o antigo emprego, mas sua nova condição não torna as coisas fáceis, e ele começa a duvidar do que faz para viver. Mas o que vai, volta, e o passado começa a persegui-lo. Para piorar, ele conhece uma garota que vira o seu mundo ainda mais de cabeça para baixo. E quem estava mesmo tentando matá-lo?

Four short tales set in contemporary Hong Kong.

Sofrendo de insuficiência renal, Tio Boonmee resolveu passar os últimos dias de sua vida recolhido em uma casa perto da floresta e ao lado de entes queridos. Durante um jantar com a família, o espírito de sua esposa falecida aparece para ajudá-lo em sua jornada final. A eles se junta Boonsong, filho de Boonmee que retorna após muito tempo metamorfoseado em outra forma de existência. Juntos, eles percorrerão o interior de uma caverna misteriosa, onde Boonmee nasceu em sua primeira vida.

Sofrendo de insuficiência renal, Tio Boonmee resolveu passar os últimos dias de sua vida recolhido em uma casa perto da floresta e ao lado de entes queridos. Durante um jantar com a família, o espírito de sua esposa falecida aparece para ajudá-lo em sua jornada final. A eles se junta Boonsong, filho de Boonmee que retorna após muito tempo metamorfoseado em outra forma de existência. Juntos, eles percorrerão o interior de uma caverna misteriosa, onde Boonmee nasceu em sua primeira vida.

Há muito tempo atrás em uma floresta sem nome uma bela jovem estava vagando sozinho quando ela foi vítima de dois homens. Pouco tempo depois, os corpos sem vida dos dois atacantes foram encontrados boiando no riacho próximo. Ninguém sabia o que aconteceu com os homens ou onde a mulher era, ou quem ou o que poderia ter salvado sua vida.

A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.

A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.

A young man born with an extra arm longs to find love, so he journeys to a metropolitan hospital where he hopes to have his extra appendage amputated.

A film crew go in search of Nok Phii - a rare bird which feeds on the blood of other creatures.

Morakot is a derelict and defunct hotel in the heart of Bangkok that opened its doors in the 1980's: a time when Thailand shifted gears into accelerated economic industrialization and a time when Cambodians poured into Thai refugee camps after the invasion of Vietnamese forces. It was a hosting time. Later, when the East Asian financial crisis struck in 1997, these reveries collapsed. Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.

A husband and wife are locked inside a single hotel room with a stranger named Ploy. Subtle suspicions build up to jealousy as the young woman triggers devastating consequences for the couple.