Taco Drijfhout

On a remote Indonesian island, during the waning days of the colonial era, Dutch sugar plantation owner Jan and his wife Agathe, are at the top of the food chain. That is, until Jan upon returning from his nightly visit to his native concubine Siti, suddenly drops dead in front of his wife. Desperate to keep the privileges of her status quo, Agathe forces her estranged son Cornelis and his heavily pregnant wife Josefien, to travel from Europe and take over the family business. In the midst of a worker’s uprising, Cornelis displays his plans for progressive change. But when Jan’s will puts Siti at the forefront of the family estate, ideals prove to be idle and blood thicker than water. 

Bella chega a Los Angeles de sua cidade natal, na Suécia, com sonhos de se tornar a próxima estrela pornô. Entretanto, como sua impiedosa ambição a leva a um território cada vez mais perigoso, Bella luta para conciliar seus sonhos de empoderamento com a realidade do lado mais obscuro da indústria.

In His Image focuses on reproduction after death in Israel, where posthumously harvesting sperm is legal. The film follows the bereaved parents of three sons who died during military service. Using semen collected just before, or shortly after, their sons' death, they hope to have them live on in a posthumous grandchild. But can new life cure their grief?

No começo da vida adulta, Alma deixa a casa da mãe na Holanda e viaja para sua terra natal, a Bósnia, para encontrar o pai que nunca conheceu. Mas desde o início, nada corre como planejado. Seu primo Emir não é receptivo e zomba da vida fácil da jovem no Ocidente. Ao mesmo tempo, uma forte atração sexual leva a jovem a se relacionar com o melhor amigo de Emir, o problemático Denis. À medida que os obstáculos aumentam, Alma segue determinada a achar o pai. Ela só precisará conhecer a si mesma antes.

Em março de 2018, no Quênia, o último rinoceronte-branco do norte macho restante na Terra morreu. Seu nome era Sudão e, depois de 42 anos neste planeta, ele viveu sua vida - e de sua espécie - até o fim. Cientistas tentam reproduzir seu embrião.

On the very eve of shooting his debut film, a harried young director struggles to balance fiction and reality as he spends one fever dream of a night searching for the inspiration that eludes him.

For 25 long years Sidik has been searching for a snow leopard in the war-scarred mountains of Kurdistan in northern Iraq. Once there were many leopards here. If they return, Sidik believes his people and his homeland will survive. If he can capture one of the magical creatures on film the region will be declared a national park. And the bombs will never fall again. Sidik still hasn't found his leopard. But he refuses to give up hope. As he travels through the Kurdish mountains, he meets, animals, rivers, plants, and people. Their memories and stories mesh with his own - Acclaimed director Reber Dosky's poetic film tells a story of hope, pride and the possibility of healing in a rarely-seen land of astonishing beauty.

A Dutch photographer (played by David Verbeek himself – also a talented photographer in real life) takes a picture of a girl in a parking lot in nighttime Taipei as she plays with her kite. The photo transports us into her life. She is eight years old and is about to lose her best friend, a boy from a wealthy family who is moving to America. Back in the Netherlands, the photographer is confronted with his own constant loneliness. The photo of the girl evokes memories of his own childhood, when he still felt at home somewhere.

A Dutch photographer (played by David Verbeek himself – also a talented photographer in real life) takes a picture of a girl in a parking lot in nighttime Taipei as she plays with her kite. The photo transports us into her life. She is eight years old and is about to lose her best friend, a boy from a wealthy family who is moving to America. Back in the Netherlands, the photographer is confronted with his own constant loneliness. The photo of the girl evokes memories of his own childhood, when he still felt at home somewhere.

Tarik helps his father Elias transport illegal immigrants into the Netherlands. When an accident occurs, Tarik gains the acknowledgment from his father he has yearned for, but at a high price - the loss of his own innocence.

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?