Paul Dickinson

This short narrative chronicles a week in the lives of three teenage girls. They are high school classmates from different social circles, who form a bond in the wake of an unanticipated incident. Two of the girls are falling in love with each other against all expectations and the third girl is forced to mother her own mother after her father vanishes. Each girl seeks comfort within the walls of her bedroom where the music blasting from the turntable provides a magical synchronicity between them all.

Dawn, a middle aged woman who lives alone in a small town in Montana spends her days working as a maid at a roadside motel and scrounging through junk she purchases at local storage auctions hoping to one day 'hit the jackpot' and fund her travels and her escape from the town. Her humdrum life is slowly upended as Paul, a ramblin' man from her past, rolls like a tumbleweed through her small town. Pitting grand landscapes against dinners of fried chicken and the roar of V8 engines on Saturday nights, Tired Moonlight explores the relationship between extravagant nature and the tiny mundane moments of small town life.

A documentary about the 1992 U.S. presidential election based on pirated satellite feeds.

Kiss The Boys And Make Them Die explores how memory, sexuality, and the self are created and enforced through the family story. The video chronicles how the social act of loving women becomes channeled into narratives of incest, desire for the mother, loss of the father, separation from the family, death and self-destruction. In this work, sexuality, difference and language are paralleled with haunting memories of a childhood ghost that both desires and hates women. Finally, Kiss The Boys And Make Them Die is a story of childhood trauma, and the adult need to exorcise the past and create an independent self.

Hey Bud begins with the suicide of Bud Dwyer, a government official who killed himself on television. Writes Zando: "I view the suicide as pornographic. The suicide, exposed to a wide television audience, becomes a kind of sex act that plays upon the tension created between exhibitionist and voyeur. It forces viewers to take either an empathetic position vis-a-vis the exhibitionist, or to act as voyeurs (who release their repressed desire to see the forbidden face of Death). My interest is to understand the power seated in the position of the exhibitionist, and to explore that source of power for my own personal drama. Bud Dwyer gained power by authoring his own death, but his power was fatal: the instant power is taken via exhibitionism, it is lost through death. This is the traditional power for women who must seek power via exhibitionism and exploitation — they gain power only through death-of-self."