Irena Mulamuhić

Filmes

The White Fortress
Grandmother
What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.
My Aunt in Sarajevo
Old Lady
Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.
Quando Tudo Parece Perdido
Hospital Receptionist
Inspirada em fatos reais, a história acontece na Bósnia e Herzegovina. Sabina, uma mulher divorciada, mãe de dois filhos pequenos, se apaixona por Sasha, um velho amigo com o qual serviu na guerra. Os dois planejam se casar, mas ele desaparece misteriosamente. Poucas semanas depois, Sabina vai ao médico e descobre que está grávida. À medida que sua gravidez avança, ela perde o emprego, e seu ex-marido tenta tirar dinheiro dela, ameaçando levar as crianças para longe. Sabina se desespera e decide acabar com a própria vida. Então, vai para um albergue e começa a engolir pílulas, ficando inconsciente. O que acontece em seguida está sujeito à opinião de quem assiste ao filme... Porém, uma coisa fica clara: Sabina nunca mais será a mesma.
Our Everyday Life
Gospođa 1
Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis
Pontes de Sarajevo
Treze cineastas europeus pensam Sarajevo, e o que a cidade representou para a história europeia dos últimos cem anos, desde o início da Primeira Guerra Mundial. Todos eles realizadores proeminentes, de diferentes origens e gerações, oferecem estilos e visões excepcionalmente singulares sobre a cidade, o velho continente, os fantasmas do passado e o seu reflexo no presente.
Snow
Nana
The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.
Pollen Dust
A young journalist is sent to a small Bosnian town to interview people on happiness. He mixes up with local affair and has a romance with a student. He gets a shock when he finds out that he is going to be important due to childhood mumps.