Kinooperater
Live performance of educational film about the film. Experiencing cinema as Bildungsroman, told with references on history of film as a free resource, and then film itself as manifesto.
A possible impostor torments a newly crowned medieval czar who may have ordered the real successor's death.
Editor
During the Battle of Sutjeska, headquarters one of the a partisan detachment, decides to enter deeper into the forest to save a few soldiers and wounded from inevitable death. Commander of the detachment, sent a group of fighters in the reconnaissance. As time goes on, the Germans are getting closer to discovering the detachment and wounded, hunger, exhaustion, forcing people to surrender, but at the time of surrender, and when the Germans discovered detachment, there is a sudden rescue from the group that was in the field reconnaissance.
A wonderfully playful and symbolic manifestation of the spirit of childhood can be found in Dimitrie Osmanli’s short fiction debut. The film follows a little girl with her doll who meets a neighbourhood boy with his tank; after her doll is damaged we are invited into a surreal dream where dolls rise up against the boy and their face resembles the little girl he hurt. The rebellion of the dolls signifies a rebellion against the boy’s malice and essentially against his refusal to be like a child. The dream yields fruit: on waking up, the boy, grateful to be alive, has joy restored in his heart and runs to makes amends with the little girl. The Rebelion of the Dolls renders the concept of rebellion as an internal event: an uprising of the conscience against the spirit of cruelty and disobedience and as a lesson to the little boy shows true conscience restored in the spirit of gentleness.
