Chôshirô Ishii

Personal tale of Okita Soji who fights to survive in a world without pity in the merciless era of the downfall of the Tokugawa Shogunate.

Anos depois da trama do primeiro filme, Lady Snowblood está presa, sentenciada à morte pelos crimes que cometeu. Ela é salva, a caminho da execução, por integrantes da polícia secreta, que lhe oferecem o perdão e a liberdade caso ela mate o líder de um grupo de revolucionários. Porém, ao constatar as tristes condições em que vive o povo, a assassina resolve se aliar aos seus alvos contra os políticos que a contrataram.

Yuki, nasce dentro de uma prisão, e, desde seu primeiro minuto de vida, herda um legado obsessivo de vingança dos quatro malfeitores que mataram seu pai e estupraram sua mãe. Desde cedo ela é treinada em artes marciais, já crescida, sai em sua missão de vingança, armada com uma lâmina escondida no seu guarda-chuva.

A beautifully told story of a woman hardened by marriage to a man she doesn't love, after giving herself to another. She dedicates herself to her work, designing and creating plaited cords for kimono.

Tells of the feelings and sufferings of a young girl with an incurable paralytic disease.

A young couple, composed by a cheating wife and a retired car racer, arrive at a drive-in. A man with a gun arrives at the restaurant and takes hostages. Chaos ensues in director's Kiyoshi Nishimura's debut film, almost totally filmed in one space.

A man is involved in a fatal car accident, and though he is blameless, his company transfers him to a remote branch in a small town. Before he leaves, he gives the man's widow a large sum of money that she uses to move back to her hometown.

Four sisters are all named after flowers. While the two youngest are married, the eldest two remain single, much to the annoyance of their long-suffering mother. The mother and her brother try various schemes to find husbands for them.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

"When human beings venture too far along a trail made by wild beasts, it is said, they quite often discover themselves on a road of no return." Based on the novel of the same name by Seichô Matsumoto.

Depois que um bombardeio destrói a loja da família e seu marido, Reiko reconstrói e administra a loja por amor, interrompida pela destruição.

A woman remember's her own marriage when dealing with the love life of her son.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

Drama about the lives of the five daughters and daughter-in-law of a store owner.

A família de um senhor que dirige uma pequena fábrica de saquê começa a preocupar-se com as suas finanças e a sua saúde depois que descobrem que visita uma velha amante dos tempos da sua juventude. Uma das combinações mais habilmente moduladas de comédia e tragédia de Ozu.

In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.

A história ocorre em 1860 e baseia-se na chegada de um ronin a uma cidade que sofre com a guerra entre duas gangues. Kuwabatake Sanjuro, que significa "Amoreira de 30 Anos" (Toshirō Mifune), aproveitando a sua perspicácia tenta ganhar dinheiro e, ao mesmo tempo, livrar a cidade das gangues rivais, ora associando-se a um grupo, ora associando-se a outro, tirando proveito da situação e manipulando-os, devido ao despreparo estratégico dos dois grupos, que é demonstrado através de diversas cenas satíricas durante o filme.

The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."

Este filme apresenta uma grande e extensa família (e associados) ainda mais extensa do que aquela retratada por Ozu em "Fim do Verão". O personagem central é Setsuko Hara - uma mulher equilibrada de meia-idade, cujo marido rico (e prestigioso) morre no início do filme, deixando-a viúva, mais o produto de uma apólice de seguro de um milhão de ienes. Por não ter filhos, os seus sogros não poem objeções com o seu regresso a casa de família.

The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.

Fifth entry in the Company President Series.

A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.

Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.

Otsuta está dirigindo a casa de gueixas Tsuta em Tóquio. Seu negócio está fortemente endividado. Sua filha Katsuyo não vê nenhum futuro no negócio de sua mãe porque está terminando os dias da gueixa. Mas Otsuta não desistirá. Este filme retrata a vida diurna da gueixa quando não está entretendo os clientes.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

A husband and wife's pet peeves and minor irritations escalate into major rifts and animosity.

Coach Shimamura of the hapless Sparrows baseball team is pleased to obtain a hot new pitcher named Onishi. But when Onishi begins a romantic relationship with the coach's daughter Michiko, Shimamura becomes angry with the young man, lashing out at him when he disobeys instructions during a game. In turn, Michiko becomes angry with her father, who becomes increasingly depressed. When a tragedy strikes the family, Coach Shimamura begins losing control of his life, just when his family and his team need him most.

A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.

Como é a vida de uma gueixa quando sua beleza desapareceu e ela se aposentou? Okin guardou seus ganhos e tornou-se agiota, passando os dias a cobrar friamente os juros das quantias que empresta. Mesmo suas melhores amigas, ex-gueixas como ela - Otomi, Tamae e Nobu, devem-lhe dinheiro. Para todas elas, o glamour de suas vidas já passou e agora o problema é garantir o sustento nos difíceis tempos do pós-guerra. Seus filhos e amantes não aliviam a dureza de suas vidas.

Uma noiva insinuante desenvolve laços afetuosos com o sogro enquanto seu marido frio a desdenha por outra mulher.

Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

War film by Kon Ichikawa

Romantic melodrama

Japanese "kayo" film based on the song "Ieraishan" by Yoshiko Yamaguchi.

Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.

This little seen early work by Ichikawa was produced during the director's Shintoho period (1947-51). Written by Kaneto Shindô and featuring Ryô Ikebe as a young policeman it is part crime drama, part social study. Definitely not an undiscovered masterpiece, but still a must for Ichikawa buffs.

Saheita, the final heir of a once rich and respectable family, can't refuse the many villagers that come to him for favours and money, even though he is on the brink of bankruptcy. Around town he is better known by his nickname Mr. Shosuke Ohara.

Murukami, um jovem investigador de homicídios, é roubado em um ônibus e perde sua pistola. Ele começa uma busca insana atrás de sua preciosa arma, sem sucesso, até receber a ajuda de um sábio e mais experiente detetive chamado Sato. Clássico noir do mestre Akira Kurosawa, que redefiniu o padrão de filmes policiais japoneses. (e 12 - Estimado 12 Anos)

Police detective Heiji is assigned to catch the masked Maboroshi gang of robbers who have terrorized all of Edo leaving few clues as to who their leader is.

Um filme de Hiroshi Inagaki.

In this government-suggested sequel, Sugata again grows as a judo master, and demonstrates his (and by extension, all Japanese) superiority to the foreign warrior.