Tina Pfurr

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While actor Boris digs deeper into rehearsals for a new film with an ambitious director and begins to mix real and fictional characters, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans' young niece Josie, who is trying to deal with the approaching end of her childhood in her own idiosyncratic way. BONES AND NAMES, the feature debut of Fabian Stumm, portrays people searching for their place in life in different ways. A sensitive and humorous reflection on the dissonances in relationships that both connect and distance us from each other.

Seeking the truth in a human grey area. Lawyer Annabelle Martinelli has specialized in sexual offences and represents victims of domestic violence. Shoe salesperson Doreen Markowitz seeks her support after pressing charges against her husband Leon for assault and sexual violence. The opposing lawyer is Annabelle's ex-boss John Quante, a cunning and unscrupulous divorce lawyer. Annabelle is convinced that her client has been systematically intimidated, beaten and forced to have sex. But the evidence is thin. One of several cases she has to deal with which put her professional distance to the test.

Clara is studying for a Ph.D in philosophy in Berlin. In this middle-class male academic environment, she feels pushed to one side. She returns to her childhood village in former East Germany for her mother's birthday, and becomes aware that a distance has grown between her and her family.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

É o aniversário de 60 anos de Lara (Corinna Harfouch) e esse é um dia mais especial do que todos os outros porque seu filho, Viktor (Tom Schilling), irá realizar um concerto que vai definir o rumo de sua carreira como pianista. Embora Lara tenha dedicado todo o seu esforço para tornar seu filho bem sucedido, tudo indica que ela não será bem-vinda no concerto de Viktor.

Young and pretty Emma is sentenced to anger management therapy after having thrown a toaster at her ex boyfriend and broken his nose. During the course of one day, her fate and her temper will be challenged several times. Will she be able to control her anger or will she lose everything?

Mila and Charly use this way of escapism to avoid facing their respective crises. Hoping to find new ways of coping with their inner dead ends, they decide to take a trip to the sea but not take into account that they are taking themselves with them.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.