Producer
A group of women prisoners have signed up to foster retired racing greyhounds and get them ready for adoption. The prisoners have just eight weeks to transform the dogs into family pets, or the dogs could be euthanised.
Cinematography
A group of women prisoners have signed up to foster retired racing greyhounds and get them ready for adoption. The prisoners have just eight weeks to transform the dogs into family pets, or the dogs could be euthanised.
Director
A group of women prisoners have signed up to foster retired racing greyhounds and get them ready for adoption. The prisoners have just eight weeks to transform the dogs into family pets, or the dogs could be euthanised.
Writer
Maja is proud of the 16 coils of brass around her neck that distinguish her as a ‘long neck’ Kayan woman from Burma. But after 20 years of living on display and constantly being photographed in a tourist village in Thailand, the rings are becoming more a trap than a source of pride. When a chance meeting with an Australian filmmaker puts a video camera in her hands, she decides to turn the lens around and make a film about what it means to live in a ‘human zoo’. The process turns her life on its head and forces her to choose between tradition and rebellion.
Producer
Maja is proud of the 16 coils of brass around her neck that distinguish her as a ‘long neck’ Kayan woman from Burma. But after 20 years of living on display and constantly being photographed in a tourist village in Thailand, the rings are becoming more a trap than a source of pride. When a chance meeting with an Australian filmmaker puts a video camera in her hands, she decides to turn the lens around and make a film about what it means to live in a ‘human zoo’. The process turns her life on its head and forces her to choose between tradition and rebellion.
Director
Maja is proud of the 16 coils of brass around her neck that distinguish her as a ‘long neck’ Kayan woman from Burma. But after 20 years of living on display and constantly being photographed in a tourist village in Thailand, the rings are becoming more a trap than a source of pride. When a chance meeting with an Australian filmmaker puts a video camera in her hands, she decides to turn the lens around and make a film about what it means to live in a ‘human zoo’. The process turns her life on its head and forces her to choose between tradition and rebellion.
Writer
In Vietnam, there is a special market to find a mate. The Hmong people have a long tradition to go to this annual market where all people, married or single, can regain their freedom to love.
Director
In Vietnam, there is a special market to find a mate. The Hmong people have a long tradition to go to this annual market where all people, married or single, can regain their freedom to love.
