Hedie Tehrani

A remote village has not had a previous boom for years. Residents have either been forced to migrate or are in poverty and misery, but the village has a new guest. But the village has a new...

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

A tough-as-nails farm contractor proves she can compete, against unfair odds, with male competitors and lead her crew of female workers on northern Tehran’s largest orange harvest.

It's about a family that has the opportunity to solve the mother's problem one night.

Danesh works in a barbershop and dreams about becoming an actor. Manfered is an agent who would introduce Danesh to a famous director if he collects enough long hairs to be used as wigs. At the same time a series of murders have worried everyone. Who is the killer and is the barbershop in any way related?

Kaveh Nariman se envolve em um acidente de trânsito e insiste que um garoto de oito anos, levemente ferido, seja levado ao hospital. Dois dias depois, no Instituto Médico-Legal em que trabalha, o Doutor Nariman se surpreende ao ver um corpo familiar.

When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.

When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.

Mahtab is suspicious of her husband Ahmad, a university professor. As she tries to unravel the mystery instigated by Sima, a close friend of the family, by pressuring Farnoosh Kheirkhah, Ahmad's student, her husband tries to prove his innocence. But the sudden death of Farnoosh opens a new path before Ahmad, Mahtab, Sima, and her husband Mansoor.

The story of this animation takes place in Tehran in year 2121 AD and is about the life of Akbar Agha (Mehran Modiri) and deals with social and cultural problems.

It is about life of a young couple who want to migrate from their country. But the arrival of Nazli makes problems...

Domestic drama charting the course of a self-effacing Iranian couple as their ordered lives begin to fracture under the strain of work commitments, money troubles and the responsibility of family. Mitra and Nima are struggling to make ends meet, their relationship in desperate need of rekindling. But when Mitra's sister Maryam shows up on their doorstep, on the run from her estranged husband, their lives are tipped over the edge by the ensuing scandal. As Mitra and Nima reflect on their own lives and take sides against one another, events will come to a head as the weight of disloyalty begins to unravel a once perfect relationship.

Domestic drama charting the course of a self-effacing Iranian couple as their ordered lives begin to fracture under the strain of work commitments, money troubles and the responsibility of family. Mitra and Nima are struggling to make ends meet, their relationship in desperate need of rekindling. But when Mitra's sister Maryam shows up on their doorstep, on the run from her estranged husband, their lives are tipped over the edge by the ensuing scandal. As Mitra and Nima reflect on their own lives and take sides against one another, events will come to a head as the weight of disloyalty begins to unravel a once perfect relationship.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Babak is more than just an unemployed engineer living with his parents in his 20s. He possesses a supernatural sense of hearing, so strong he can hear through solid walls and over great distances. But Babak is not the only one with bizarre, unexplained powers. A group of extraordinary individuals begin to emerge and find each other. Will they learn to use their powers for anything other than their own selfish means? With experimental sequences and innovative camerawork, director Iraj Karimi takes a whimsical look at a band of youths brought together through their abilities, but bound by their lack of purpose.

A última quarta-feira antes do solstício de primavera abre o Ano Novo Persa, as pessoas soltam fogos de artifício seguindo uma tradição zoroastriana antiga. Rouhi, passando seu primeiro dia no novo emprego, se vê no meio de um tipo diferente de fogos de artifício - uma disputa doméstica entre seu novo chefe e a esposa. No dia anterior a sua viagem de férias para Dubai, uma mulher que acredita que seu marido é infiel, pede a ajuda de Roohi, uma jovem enviada por uma agência para limpar a casa. Ela pede a Roohi para marcar uma consulta e recolher informação no salão da mulher de quem ela suspeita. Roohi é noiva, inocente em termos de discórdia conjugal. Ao longo do dia, ela, o casal, seu filho pequeno, a irmã da esposa e seu marido, e a esteticista se envolvem em uma série de trocas, confrontos, e prevaricações. São as suspeitas da esposa injustificadas; está o comportamento dela ameaçando seu casamento? Atos de bondade podem dar errado. E a viagem para Dubai?

A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.

This documentary looks at different aspects of the life of Bahman Farmanara, the well known Iranian film director and producer.

Two old writers who one of them is returned to Iran after 38 years because of his son's suicide, are going on a trip to the grave of that son.

The story of Zeinal, a man who after 20 years of being a POW, tries to clear up his past.

An old Iranian man disappears while searching for a friend who's been dead ten years, so his agitated daughter enlists her estranged husband to look for him; the husband puts his foot down at first but soon finds himself cruising the streets of Tehran with his best friend, searching for the old rascal and cursing all the way.

Despite multiple suitors, Maryam is determined to preserve her independence. Her cousin Naghmeh, however, is cast down by her own lack of suitors. Maryam takes it upon herself to find a suitable match for Naghmeh.

Donya is a young, attractive single woman who has just returned to Tehran from abroad. She seeks the help of Hadji Reza Enayat, the conservative and stern owner of a real estate agency, to look for a house. We sense that she has an ulterior motive but that motive will not surface until the end of the movie. She puts on the charm and Hadji falls head over heels in love with her and proposes marriage despite being already married to a loving and pious wife. Awkward and funny situations develop as he tries to keep his affair secret from his family.

Director Bahman Farmanara's second film following a 20-year exile from his native Iran depicts the spiritual crisis of a middle-aged man. In the film's dreamlike opening scene, Dr. Reza Sepidbakht (Reza Kianian), a well-off Tehran gynecologist, thinks he runs over an angel while driving home at night with a call girl. The next morning at the hospital where he works, he is shown a comatose boy who is famous for having memorized the entire Koran. These two events cause him to rethink his cynical outlook on life and his relationships with his elderly father, wayward son, and the women he has mistreated since becoming estranged from his wife. When the boy awakens from his coma, Dr. Sepidbakht begins to look to him for answers.

Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.

Zamane and Saeid are neighbors. Despite their own arrangements to get married, their families are against this marriage. Zamane’s family’s reason for this opposition, especially her father’s, is the fact that Saeid is a disabled veteran who is on the wheelchair. Zamane, who’s had enough of her family’s strict behavior, offers Saeid to run away with her and then get married, but he doesn’t accept that.

Yasaman Pakravan, a wealthy woman, has paid his husband, Sadegh, 10 Million Tomans to convince him of divorcing her. However, Sadegh continues to harass her and ask her for more until she is forced to hire a lawyer, Ehsan Daneshvar, to make her divorce legal. But before they can meet ...

While racing with her car a young girl Mahtab has an accident with a Taxi driver Arastoo. This lead them both to involve in more troubles and romantic adventures and know each other more.

Amin is a young journalist who goes to jail because of something that he wrote, his friends want to free him, but they can't so they decided to make money by throwing parties at his sister's house, but everything gets worse.

When his business partner is hurt in a car accident, happily married Mahmoud (Fariborz Arabnia) must travel to Tehran, where he falls for the beautiful Sima (Hedye Tehrani). The two agree to a "temporary marriage," but problems arise when Sima doesn't want the arrangement to end. Sima's reluctance to play her expected role in this common Islamic practice soon turns to obsession in this smash hit from Iran.

Diba and Siamak with the help of a young couple Nader and Roya decide to steal from a wedding ceremony. They steal some jewelry and escape but the cops are after them.

On the eve of his first show, rock musician Siavash (Ali Ghorbanzadeh) makes a pilgrimage to the grave of his late father, killed during the Iran-Iraq War. But soon thereafter, a friend reveals that Siavash's father is still alive, a POW being held in Tehran. With the help of his girlfriend (Hedyeh Tehrani), Siavash struggles to make sense of the news. Saman Moghadam wrote and directed this portrait of young Iranians in the aftermath of war.

Hasti, a widowed nurse who has a daughter, marries a paranoid wealthy man.

The old story of the love of a poor boy for a rich girl, but with a twist. 'Bozorg' who works in a car showroom, damages the Mercedes belonging to a rich lady pharmacist. The girl, Behrokh,...

In his last moments Mr. Baheri gives his janitor Mr. Koohsari a small piece of land but his sons are after that piece of land. Soltan who is a thief, pick pocketing the janitor's daughter ...