Richard Hawley

A group of young friends and neighbours come together for a fishing expedition after rumours spread of a giant carp in the area. In a world of broken families, cassette tapes and rumbling political fever, these friends, each with their own struggles to bear, share a moment of harmony.

A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs.

A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs.

A magical and moving archive trip through the universal theme of love, from the very first kisses ever caught on film, through the disruption of war to the birth of youth culture, gay liberation and free love, we follow courting couples flirting at tea dances, kissing in the back of the movies, shacking up and fighting for the right to love.

Sheffield, 1988, ‘The Day That Never Happened’. Depois de um concerto de despedida desastroso na sua terra natal, os Pulp mudam-se para Londres em busca de sucesso. Encontram o seu caminho da fama mundial nos anos 90, com hinos como “Common People”, “Disco 2000” e “Babies”. Em 2012 voltam a Sheffield para darem o último concerto na Grã-Bretanha: o que poderia correr mal? Com uma actuação única nas suas carreiras para este filme, a banda partilha as suas ideias sobre a fama, o amor, a mortalidade e... a manutenção de um carro.

Last Shop Standing, inspired by the book of the same name by Graham Jones, takes you behind the counter to discover why nearly 2000 record shops have already disappeared across the UK. The film charts the rapid rise of record shops in the 1960's, 70's and 80's, the influence of the chart, the underhand deals, the demise of vinyl and rise of the CD as well as new technologies. Where did it all go wrong? Why were 3 shops a week closing? Will we be left with no record shops with the continuing rise of downloading? Hear from over 20 record shop owners and music industry leaders as well as musicians including Paul Weller, Johnny Marr, Norman Cook, Billy Bragg, Nerina Pallot, Richard Hawley and Clint Boon as they all tell us how the shops became and still are a part of their own musical education, a place to cherish and discover new bands and new music.

"Do you remember the first time?" asks the big screen on the main stage, just before Pulp arrive. Many up the front were but a twinkle when Sheffield's finest debuted Common People here, back on this day in 1994 – "Who was here?" questions Jarvis. "Who was born?" Not that it appears to dampen anyone's ardour – and who can blame them, because this is an imperious set, ranging from a perfect F.E.E.L.I.N.G C.A.L.L.E.D L.O.V.E to a glorious Misshapes, its line about "The future that they've got mapped out/ Is nothing left to shout about" sounding more contemporary than ever. Jarvis jumps from towering speaker cabinets, lies horizontal for some athletic hip-thrusting during a torrid This Is Hardcore, and dedicates Joyriders to "the rioters", quipping "they weren't rioting, they were just playing Grand Theft Auto outdoors". Honestly, it's hard to imagine how their reformation could have been handled any better.

A documentary on the influential musician Scott Walker.