Art Direction
Caso clínico: G. é um ator de 38 anos e sua avó morreu com sintomas que a impediam de dormir. Ele deixa Lisboa e retorna à sua pequena cidade natal no Brasil onde é assombrado por uma herança maldita e seu primeiro amor proibido, W.
Director
Caso clínico: G. é um ator de 38 anos e sua avó morreu com sintomas que a impediam de dormir. Ele deixa Lisboa e retorna à sua pequena cidade natal no Brasil onde é assombrado por uma herança maldita e seu primeiro amor proibido, W.
Sound Designer
"Happiness can be found even in the darkest hours, if we remember to turn on the light."
Writer
"Happiness can be found even in the darkest hours, if we remember to turn on the light."
Editor
"Happiness can be found even in the darkest hours, if we remember to turn on the light."
Producer
"Happiness can be found even in the darkest hours, if we remember to turn on the light."
Director
"Happiness can be found even in the darkest hours, if we remember to turn on the light."
Production Director
Marta e Maria choram a morte de seu irmão Lázaro. Um grupo de judeus tenta consolar Maria enquanto Marta sai para se encontrar com Jesus. Os discípulos tentam alertar seu mestre sobre os perigos de retornar à Judéia. Perto dali, um milagre está para acontecer.
Director
Ingra's faith is shaken when she realizes she is being haunted by her criminal past.
Executive Producer
In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.
Story
In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.
Director
In Sao Paulo, Janaína and João take care of each other. She has epilepsy. He is in a relationship with a man who prefers to keep his distance. Above their lives floats the vague trauma of a mudslide that may have buried men and machines alike. Together, they try to protect their bodies from the evil that seems to spread like a fever.
Director
Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.
Editor
Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.
Screenplay
Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.
Director
Among ruptures of memories, geographical and affective displacements, we revisited with Bruno the incursion into a city full of noise but that still emits a minimal murmur of love.
Director
Jair’s courtship is over.
Assistant Director
Andre lives by himself in Sao Paulo. His mothers arrives. His boyfriend goes away. Andre live by himself in Sao Paulo.
