Nicolas Guicheteau

Visages Villages mostra a icônica diretora Agnès Varda em uma colaboração inesperada com o fotógrafo JR ao embarcar em uma viagem singular. Eles partem no caminhão fotográfico de JR, explorando as cidades da França rural para tirar retratos de seus residentes e ampliá-los em gigantescos murais.

Today, Andre comes out of his peaceful retirement : on order from the mayor, he has to lead through mounts a troop of sandwich men on bike to attract the spectators to the inauguration of the local cinema. In spite of his determination, the former postman has a great deal of difficulty in taming his young and passionate team-mates.

Romantic comedy

Kate comes alone to Paris for the week-end. In this city she doesn't know, she is going to meet a man and his dog.

It is the end of the judicial control of Thierry Chartier, 18 years old. He was a virgin in Heuzecourt, a small village in the north of France populated by farmers and retired miners, where his paternal grandmother lived. He earns his living by helping out in the fields, he helps his grandmother, and would like to take over the farm. But, following an incident, he is condemned to seven years of criminal imprisonment, for complicity of murder, Thierry leaves on parole with an English diploma and a tattoo. But above all a guilt forever anchored. It is now up to him to rebuild his life.

Josephine goes from Brussels to Paris by foot. She follows the direction taken by the Thalys, the rapid train she usually takes for this journey. She stops along the way, depending on people who allow to her rest awhile.

Josephine goes from Brussels to Paris by foot. She follows the direction taken by the Thalys, the rapid train she usually takes for this journey. She stops along the way, depending on people who allow to her rest awhile.

Josephine goes from Brussels to Paris by foot. She follows the direction taken by the Thalys, the rapid train she usually takes for this journey. She stops along the way, depending on people who allow to her rest awhile.

In musical terminology, the term " study " designates pieces to approach a specific problem : study for arpeggios, for the left-handed etc. The question here is how to merge dancing footage with elements of fiction. What is the right tone, the golden proportion to tell/dance the stories without resorting to techniques of a musical or a ballet ? New ways of telling a story: this is, without a doubt, a critical challenge for dance today. Twenty-one micro fictions by four Cie Michèle Anne De Mey dancers in witch the educational aspect of experimentation soon gives way to the pleasur of joyful poetics: an original blend of tender insolence and srtict elegance.