Martín Sappia

Ramiro is a bar cook. Hernán is an unemployed technician. Nora is a nurse in a public hospital. Lucia sells books in a bookstore. Four stories and a black and white city with persistent rain. None of them know each other, they are only inhabitants of the same city.

Máximo Ferradas, empresário e filho mais novo de uma poderosa família de pescadores, pede a Francisco, seu pai, a sua parte da herança e assim, ele inicia uma longa jornada que o levará a terras distantes, tentando construir seu próprio “império”.

In 2017, 100 years after the Bolshevik Revolution, no official event was held in Russia. The central government decided to confine the memory of the Revolution to museums. In this climate of forgetfulness, some scenes detached from reality bring the past to the present. Two young roofers, Nikita and Karl, explore the city, search for historical remains and specific places, climb the roofs. In their wandering they find abandoned buildings and balconies. Katya, an apparently older woman, walks through one of the capital spaces of the revolutionary process: the Champ de Mars, in St. Petersburg. Katya tells about the February Revolution, which ended the Romanov dynasty. It recalls the post-revolutionary period and rescues the figure of one of the most interesting intellectuals and scientists of the time: Aleksandr Bogdanov, author of a utopian science fiction book called Red Star.

The history of art could be told from some oddities called pentimenti or "regrets", traces that were hidden on a canvas or paper, sometimes under other layers of paint, sometimes as if they were a patch. The Argentine plastic artist Antonio Seguí, reencounters with one of his first works "Rabinos rabiosos" after sixty years of its creation. And in the reunion, an image is revealed, hidden behind the painting for more than half a century.

COMPANIONS deals with the love between people and dogs. It’s made up of scenes of intimacy—caresses, habits, games, cares, stories of coming and loss, of protection, and uprooting. The stories intertwine and make up a map of love and its enigmas.

A poor boy decides to stop being a poor boy and, together with his friend, tries to run away taking a bag full of money from his boss. The last night in his hometown is a review by way of farewell to the two friends for the places, the emotion and the songs that marked their lives.

On 3 November 1995, the Rio Tercero Military Factory exploded in Cordoba, prompting thousands of projectiles to fire and spread in the surrounding villages, in a tragedy that would leave seven dead and hundreds injured and affected. At the time, Natalia Garayalde was a twelve-year-old girl who lived with her family near the place, and he was still playing filming with the video camera her father had bought, when she recorded the immediate moments of the burst, while her family escaped the explosions, as well as the daily activities of the village in the days and weeks that follow. Twenty-five years later, that material captured from a girl's candid and surprised gaze it becomes a thoughtful and painful testimony about the family, the destruction of a city, the traces of horror, the sinister truth about the case.

The echoes of Jorge Bonino resonate in the spaces he inhabited, and his presence becomes imaginable from the stories that tell it. A body that exploded into a thousand pieces scattered across territories and affections that speak of him as someone capable of turning life into an extraordinary game.

The echoes of Jorge Bonino resonate in the spaces he inhabited, and his presence becomes imaginable from the stories that tell it. A body that exploded into a thousand pieces scattered across territories and affections that speak of him as someone capable of turning life into an extraordinary game.

The echoes of Jorge Bonino resonate in the spaces he inhabited, and his presence becomes imaginable from the stories that tell it. A body that exploded into a thousand pieces scattered across territories and affections that speak of him as someone capable of turning life into an extraordinary game.

Although she fulfills the role of perfect wife and mother, Lola is not satisfied with the fantasy of happiness during a family vacation in Mar del Plata.

In September 1973, 19 paper mill workers were imprisoned and taken to the Laja police station. Six years later, their bodies were found in Yumbel’s cemetery. After almost 40 years, one of the policemen involved broke the pact of silence they had made the night of the killing, revealing the participation of the Paper Manufacturing Company (CMPC) in the murder. Today, the case is still open and awaiting sentence.

In the dead of winter, just a few days before her long-awaited wedding, Magda is witness to a series of tragic events that involve her groom. Shocked, she decides to keep quiet, but soon her body will start speaking for her.

Documentary about the horrors of the Chilean 80's dictatorship from the perspective of a son who has lost his fathers and goes into the quest of finding out more about them

A história é centrada no drama humano de três jovens de uma pequena cidade de Traslasierra, Córdoba, que desde lugares ideológicos muito diferentes são transformados para sempre pelas Malvinas Argentinas (Ilhas Fakland).

I remember the night when the history of my family changed. We received a phone call from Peru saying that my aunt Sibila was in prison accused of forming part of the Shining Path. I was seven years old and my parent's protective silence made me transform her image into a great mystery. She was kept in prison for 15 years. Today she is free and I want to get close to her, to listen and to understand.

I remember the night when the history of my family changed. We received a phone call from Peru saying that my aunt Sibila was in prison accused of forming part of the Shining Path. I was seven years old and my parent's protective silence made me transform her image into a great mystery. She was kept in prison for 15 years. Today she is free and I want to get close to her, to listen and to understand.

This film traces the unbelievable true story of the Calderón family, who built grand movie palaces in Mexico and the U.S., employing thousands to produce incomparable, hugely successful, and often reprehensible populist-genre films that were utterly and uniquely Mexican.