Himself
To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.
Music
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
Editor
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
Producer
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
Writer
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
Director
Martin Creed has said that part of living is coming to terms with horrible feelings. 'The problem with horrible feelings is you can't paint them. But horrible vomit – you can film that.' And he has. It's a difficult piece to watch but highlights Creed's ability to provoke psychological reactions from his viewer, whether that be joy, despair, anger or as in this case, utter disgust.
