Heidi Diggelmann

Heidi Diggelmann

Perfil

Heidi Diggelmann

Filmes

Madagascar
When an unmarried and childless funeral director searches for relatives of a man who died in solitude, she becomes aware of her own longing.
Eden für jeden
Rosemarie
When her apartment is terminated, student Nelly moves with her slightly demented grandmother to her plot in the community garden. Inspired and supported by her enamoured neighbour, she sets off to fight the pedantic president of the family garden, Franco, and unwittingly shakes the well-kept secret that once divided her family - and which had its beginning in the colourful and multicultural community garden world.
Looking Like My Mother
Old Mother
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Letschti Liebi
Carol
Jump
Ilde
A romantic drama set in a stunning village in Italian Switzerland. Alice is a beautiful and troubled twenty-something who is on the run from a life that is out of control. When her estranged father dies she returns to the village of her childhood to execute his will. Here she meets the grandmother she never knew, a man who may hold the key to her heart and a young epileptic boy. We watch to see if Alice can mend the damage inflicted by warring parents. Ultimately Jump is an uplifting story about the power of friendship and love.
Schönes Wochenende
Liselotte
Hi Maya
Charlotte
Two older women catch each other's eye at their hairdresser's. One is Maya, with a tart tongue and a businesslike air; the other is the softer Charlotte who seems to smile more often. After Charlotte leaves the salon that day, both review the encounter, and memories flood them.
Schwindelmeier & Co.
Katharina, die Kühne