Magdalena Mosiewicz

Filmes

Solidarity According To Women
Cinematography
It was women who closed the gates and launched the Solidarity strike when, on a Saturday in August 1980, workers, satisfied with a raise, stopped their protest and wanted to leave the Gdansk shipyard. If it had not been for the initiative of several determined women, perhaps there would not have been any August 1980 in Polish history. Under martial law, with the men in prisons, the women took on their role. They were not interested neither in joining the union’s power structure, nor in particular posts. The most important thing was their work and its results. When communism in Poland came to an end on June 4, 1989, the vast majority of women in Solidarity disappeared from the political stage. They let themselves be forgotten when their colleagues were taking over the most important posts in power in a free Poland. This documentary by Marta Dzido and Piotr Śliwowski reminds us about these forgotten heroines, giving us a new perspective on the last 30 years of Polish history.
I Still Believe
Cinematography
Ewa Hołuszko is a remarkable figure. In the 1980s she bore the male name of Marek Hołuszko, an active Solidarity movement activist. After 1989 she could not fully enjoy the regained freedom as the place of communism was taken by another enemy, more difficult to defeat, intolerance and exclusion. Gender change made her realize how far away Polish society is from full freedom. Nevertheless, she still believes that it is possible to live in a different Poland, free from stigmatization, persecution and prejudice against others.
I Still Believe
Screenplay
Ewa Hołuszko is a remarkable figure. In the 1980s she bore the male name of Marek Hołuszko, an active Solidarity movement activist. After 1989 she could not fully enjoy the regained freedom as the place of communism was taken by another enemy, more difficult to defeat, intolerance and exclusion. Gender change made her realize how far away Polish society is from full freedom. Nevertheless, she still believes that it is possible to live in a different Poland, free from stigmatization, persecution and prejudice against others.
I Still Believe
Director
Ewa Hołuszko is a remarkable figure. In the 1980s she bore the male name of Marek Hołuszko, an active Solidarity movement activist. After 1989 she could not fully enjoy the regained freedom as the place of communism was taken by another enemy, more difficult to defeat, intolerance and exclusion. Gender change made her realize how far away Polish society is from full freedom. Nevertheless, she still believes that it is possible to live in a different Poland, free from stigmatization, persecution and prejudice against others.