Søren Kragh-Jacobsen
Nascimento : 1947-03-02, Copenhagen, Denmark
História
Søren Kragh-Jacobsen (born 2 March 1947 in Copenhagen) is a Danish film director, musician, and song writer. He was one of the founders and practitioners of the Dogme95 project, for creating films without artificial technology or techniques.
Kragh-Jacobsen started out as a popular musician in Denmark, before attending film school in Prague. After returning to Denmark, he directed and co-wrote television productions.
He became one of the developers of the avant-garde film-making project Dogme95, based on creating films based only on reality, without artificial lighting and technology.
His first feature film was Wanna See My Beautiful Navel? (1978). This was followed by the successful Rubber Tarzan (1981), Thunderbirds (1983), Emma's Shadow (1988), Shower of Gold (1988), The Boys from St. Petri (1991), The Island on Bird Street (1997), and his international break-through, dogme No. 3 Mifune's Last Song (1999), and Skagerrak (2003). Mifune's Last Song won the Silver Bear – Special Jury Prize at the 49th Berlin International Film Festival. Skagerrak was entered into the 25th Moscow International Film Festival.
He has done some commercials and Danish/Swedish TV series.
Acclaimed internationally, he has received several major awards for his work, including the Memorial François Truffaut Award/Giffoni, an Emmy for The Island on Bird Street and a Silver Bear at the Berlinale film festival in Berlin for Mifune's Last Song. The Boys from St. Petri was screened out of competition at the 1992 Cannes Film Festival.
Screenplay
The story is centered on the stubborn farmer Ernst and his wife Louise who are celebrating their 50th anniversary with a traditional Danish gold wedding for friends and family. However, the family carries several secrets and Ernest holds on to the biggest one of them all. Through one long joyous, intoxicating, surprising, gripping and melancholic night, the truths creep out and the family is put to the ultimate test.
Director
The story is centered on the stubborn farmer Ernst and his wife Louise who are celebrating their 50th anniversary with a traditional Danish gold wedding for friends and family. However, the family carries several secrets and Ernest holds on to the biggest one of them all. Through one long joyous, intoxicating, surprising, gripping and melancholic night, the truths creep out and the family is put to the ultimate test.
Himself
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
Screenplay
Helen, sacerdotisa, é abordada pela cientista Lisbeth com um pedido desesperado de ajuda. Um jovem, que foi enviado para uma ala psiquiátrica de alta segurança depois de ter matado um casal de idosos, tentou o suicídio enquanto divagava sobre Deus. Numa corrida contra o tempo, as duas mulheres iniciam uma jornada chocante cada vez mais profunda na mente doente da alma de um jovem.
Director
Helen, sacerdotisa, é abordada pela cientista Lisbeth com um pedido desesperado de ajuda. Um jovem, que foi enviado para uma ala psiquiátrica de alta segurança depois de ter matado um casal de idosos, tentou o suicídio enquanto divagava sobre Deus. Numa corrida contra o tempo, as duas mulheres iniciam uma jornada chocante cada vez mais profunda na mente doente da alma de um jovem.
Director
When Thomas´ sister dies in an accident, he discovers that her death may be connected to their deceased father´s work in military intelligence. As Thomas embarks on an investigation he soon finds himself and his family under surveillance by an unknown group of people.
Screenplay
Skagerrak is the story of being hit by happiness when you least expect it. In their late twenties and tired of partying their way around the world, Danish Marie and Irish Sophie come ashore in Northern Scotland. After another drunken night they are soon parted from all their accumulated cash. Out of money and out of luck ambitious Sophie pressures Marie into accepting a lucrative job as surrogate mother. Months on, Marie finds herself alone, life having taken a dramatic turn. Heavily pregnant, and wanting to terminate her pregnancy, she's on the run from the future parents, searching for Sophie's old flame, Ken. In a case of mistaken identity, Marie ends up in hiding with three strange men in a seedy Glasgow garage. But then happiness strikes again.
Director
Skagerrak is the story of being hit by happiness when you least expect it. In their late twenties and tired of partying their way around the world, Danish Marie and Irish Sophie come ashore in Northern Scotland. After another drunken night they are soon parted from all their accumulated cash. Out of money and out of luck ambitious Sophie pressures Marie into accepting a lucrative job as surrogate mother. Months on, Marie finds herself alone, life having taken a dramatic turn. Heavily pregnant, and wanting to terminate her pregnancy, she's on the run from the future parents, searching for Sophie's old flame, Ken. In a case of mistaken identity, Marie ends up in hiding with three strange men in a seedy Glasgow garage. But then happiness strikes again.
Himself
The filmmakers who created the Dogme Manifesto reflect, argue, and watch clips of their own films.
Director
Four people plan to rob a bank on new year's eve, when no one will notice because of the celebrations.
Himself
The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).
Author
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
Director
Kresten, newly wed, is on the threshold of a great career success in his father-in-law´s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.
Director
Ao perder a mãe, garoto é obrigado a se separar do pai para também não ser levado pelos nazistas. Sozinho, aprende a usar a coragem e astúcia para sobreviver.
Director
A group of school-mates form a resistance group in nazi-occupied Denmark.
Director
Four Danish kids find a cookie jar filled with cash while playing in the woods. They decide to keep the money, at least until a reward is offered. But the crooks want "their" money back and will do whatever necessary to accomplish this.
Screenplay
Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....
Director
Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....
Director
Writer
Danish author Soya's acidly funny turn-of-the-century memoir novel turned into a robust black comedy. After his mother's death, tiny tot Søren goes to live with his wilful, rich and stingy Granny, who wants to improve his manners. She also wants to make him sole heir to her fortune, which everybody else covets. Mutual respect, even love, develops between the two. And death by poison enlivens things.
Writer
John and René are in their twenties, close friends but different enough for René to be nicknamed Thunderbird, while John remains just plain John. John feels irresistibly drawn into Thunderbird's orbit, but René isn't all flash. He actually longs to share John's plainness and quiet calm.
Director
John and René are in their twenties, close friends but different enough for René to be nicknamed Thunderbird, while John remains just plain John. John feels irresistibly drawn into Thunderbird's orbit, but René isn't all flash. He actually longs to share John's plainness and quiet calm.
Writer
Ivan is a very lonely 8 year boy who is bullied almost every day in school. Even his father taunts him because Ivan litteraly is a weakling (That should explain the title Rubber Tarzan). As a result of this Ivan spends a lot of his time on daydreaming until he meets a kind of kindred spirit - the friendly and lonely crane driver Ole.
Director
Ivan is a very lonely 8 year boy who is bullied almost every day in school. Even his father taunts him because Ivan litteraly is a weakling (That should explain the title Rubber Tarzan). As a result of this Ivan spends a lot of his time on daydreaming until he meets a kind of kindred spirit - the friendly and lonely crane driver Ole.
Director
Coming of age, summer camp and first love...
