Ganesh Marar

Muthu and Kannan are Gold Agents from Thrissur, the Gold Capital of India. The movie portrays their travel to Mumbai to distribute gold and the following mishaps they face on their journey.

Set in the rural socio-political environment of North Malabar, Kotthu follows two party workers Shanu and Sumesh and how certain party workers are honour-bound to their `acquired` political ideology of revenge killing.

Joji, an engineering dropout and the youngest son of a rich family lives with his aspirations of becoming super wealthy. Driven by greed and blind ambition, he decides to execute his plans following an unexpected event in the family.

It is a journey that traverses through stage plays, storytelling and a host of male domains in Vasanthi's life.

Kayyavi is an imaginary or imaginable promise in the life of Salman, hailing from a provincial fishing community who lives and breathes the sea. Evolving along unchosen ways, life invariably finds itself at the starting point as if in a looping dream. What turn will the life of Salman take as Kayyavi begins to unfold like the haze that envelops all of perception..

It is the directorial debut film of Farook Abdulrahiman, startting Manoj K. Jayan, Tirtha Murbadkar, Vaiga, Kalamandalam Sivan Namboodiri, Babu Namboothiri, Manju Pillai, and Mani Pattambi in lead roles. It is about Kathakali actor, Kunhiraman and his relationship with his Guru, Asan. Gradually over the years, as the actor gets popular he becomes arrogant and takes to confronting with his Guru.

What is the value of an ordinary everyday life? Does it have any survival value? Bidhin Bal's 'Poojyam' (Zero) is an enquiry into this entanglement of being and nothingness. Set in a rural premise of Kerala, India, the film compells us to contemplate about birth, being, death and everything in between. The birth is not just a birth and the death is not just a death in a post-colony. It connotes and signifies the stories of the struggles, survival where the everyday mundane and the mysterious nature overlap and intervene. Questions of spirit, liberation and absolvement appears in the film not as abstract questions but as the mystical presence of shady nature.