A few bus-loads of holidaymakers from the agricultural cooperative on a day trip arrive to see the show at the Slavia Circus. But, they have bad luck. It is Monday, the day on which the employees have their extra day off.
Early Days follows the early life of famous Czech writer Alois Jirásek. Jirásek had already developed his own view of the history of the Czech nation while he was at grammar school in Broumov. When he becomes the supply teach in Litomyšl, he has already written his first book and a number of poems. The local dignitaries await the arrival of the young writer in excited anticipation. Jirásek, however, is sickened by the empty patriotism from the depths of his soul and soon becomes disagreeable to the notables. The district sheriff tries to remove Jirásek from the school and drive him out of town. Unable to do this, the sheriff appoints a pro-Austrian headmaster who attempts to sabotage Jirásek. The students stand behind Jirásek , however, and discontent is not only felt in Litomyšl but throughout Bohemia.
Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.
The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)
Slightly ironic comedy of wretches, who come to understand the rich and are able to accept charity, and also about how love and work prevail over the factory owner's son.
An unknown gang has again broken into a van containing money from the European bank. Banker Sam Hamilton decides to use an armoured car for the next money transport. He hires racing driver Charly Allan as the driver. Allan is invited to Hamilton's house for a party. During a dance with the banker's daughter Bessy he is attacked by bandits, pushed to the ground and Bessy is kidnapped.
Painter Johnny Miller bets his friends he can find his house blindfolded. But he stumbles into a bandits' camp, and being mistaken for one of them, is sent to rob the villa of Frank Sellins, a banker, and his niece Lilly.
