Makis Asimakopoulos

A fictional story is never as good as a real one: the waking up, the commute, a corny choice to name a boat on which to travel. The little things that make us who we are. After chatting for 18 months, Isaak and Sabah dive into a compelling conversation about life, dreams and fears, on a non-fictional short film that shows how intimacy can happen for two strangers – who are not really strangers, after all.

When the night comes and there's only dark, we can hear the heart speaking louder than words. Alone in his bed and immersed in the absence of his lover, a man speaks to no one, begging for another night together. He surrenders to a nocturnal delirium which will fill his room and his head, and which he is willing to live it fully — at least until the morning rises.

A virus is always an unwanted guest. Yet, if it arrives, you better make room for it. Consumed by the guilt, Miguel (Alejandría Cinque) was doing his best to keep Evaristo (Cachorro Lozano) safe and apart of the tension, but he knew he couldn’t hide it any longer when dark thoughts started taking on his dreams. Seeking the mystic help of a pendulum, both lovers enter a dangerous game of questions that will reveal the most undesirable intimacy. In the time of day, they’ll go together through the fear of the illness, the subtle loss of the innocence, and the unparalleled complicity that arises from deep truth.

An aged , above any suspicion, bourgeois by the nickname 'The Master', lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is an illicit trade in antiquities, a loan shark and a black market trader of antiquities. The 'Master' has two henchmen to do his 'dirty work', Mercury and John, both of committing a fatal mistake: while Mercury falls for the daughter of 'Master', John is obsessed with a prostitute. Both of them , as 'sentimentalists', must be whacked.