The horse Gay Future is at the centre of an Irish betting syndicate in 1974 which saw trainer Antony Collins present a poor performing horse at his stables. The betting stakes were subsequently raised, before the real horse was entered in the race.
Documentary film by Peter Greenaway made for Thames Television, in which people who have survived being struck by lightning relate their experiences against a typically Greenaway backdrop of lists, black humour and 'collated statistics'.
Artist John Smith tells stories about tower block life, editing in bold, unconventional fashion, cutting into the material and highlighting the components and conventions of the film form - yet an intimate portrait of the block's inhabitants still emerges.
