Prop Maker
Elaine (Samantha Robinson) é uma jovem bruxa que está determinada a encontrar o homem de sua vida. Ela leva homens para seu apartamento e faz magias e poções a fim de seduzi-los. Tudo funciona bem, mas ela acaba com uma série de vítimas infelizes. Quando ela finalmente encontra o homem de seus sonhos, seu desespero para ser amada a torna insana.
Painter
Elaine (Samantha Robinson) é uma jovem bruxa que está determinada a encontrar o homem de sua vida. Ela leva homens para seu apartamento e faz magias e poções a fim de seduzi-los. Tudo funciona bem, mas ela acaba com uma série de vítimas infelizes. Quando ela finalmente encontra o homem de seus sonhos, seu desespero para ser amada a torna insana.
Male Witch
Elaine (Samantha Robinson) é uma jovem bruxa que está determinada a encontrar o homem de sua vida. Ela leva homens para seu apartamento e faz magias e poções a fim de seduzi-los. Tudo funciona bem, mas ela acaba com uma série de vítimas infelizes. Quando ela finalmente encontra o homem de seus sonhos, seu desespero para ser amada a torna insana.
Director
Eight gay shorts culled from top film festivals - A cross-section of some of the best recent gay shorts culled from top film festivals including Slamdance, Outfest, Frameline and more. Included are the award-winners BEDFELLOWS, CURIOUS THING, MY NAME IS LOVE, and STEAM. Whether inspired by a poem about teenage longing or a melange of interviews with gay men in New York, the shorts collected here share one thing in common: they were among the crowd favorites at film festivals across the country.
Mouse's Birthday is a four-part video/fairytale about a mouse, a cockroach and a "gay" symbolizing gluttony, lust, vanity, sexuality and homophobia. Masks, puppets, hand drawn sets, and special effects, come together in this whimsical visual poem that explores "drag" of all kinds.
Director
Mouse's Birthday is a four-part video/fairytale about a mouse, a cockroach and a "gay" symbolizing gluttony, lust, vanity, sexuality and homophobia. Masks, puppets, hand drawn sets, and special effects, come together in this whimsical visual poem that explores "drag" of all kinds.
Sherman
Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.
Cupid
This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.
Roger V. Deem
A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.
Dog
A rainha melancólica de um reino arábico, uma rainha abelha e uma adolescente que transformada em rainha protagonizam os devaneios desse musical inspirado em clássicos antigos de Hollywood.
