Daniel Jaramillo Gutierrez

Uma mensageira londrina descobre que seu último pacote é uma bomba de gás, apontada para a testemunha do assassinato de um lorde do crime.

Aubrey (Virginia Gardner) é uma jovem em luto pela perda da sua melhor amiga. Não tendo que lidar apenas com isso, ela também precisa juntar as pistas deixadas por uma fita que parece ser a única esperança de deter o fim do mundo como nós o conhecemos.

Tales From The Lodge is a fresh take on the portmanteau horror-comedy genre. An isolated lodge somewhere in England. Five old university pals, now nudging 40, gather for a weekend to scatter the ashes of their friend, Jonesy, who drowned himself in the lake three years earlier. They settle in for a fun evening, entertaining each other with stories of murders, ghosts, zombies and possessions, but as day turns to night, the gang become aware of another horror story unfolding around them - And this one is real.

Tales From The Lodge is a fresh take on the portmanteau horror-comedy genre. An isolated lodge somewhere in England. Five old university pals, now nudging 40, gather for a weekend to scatter the ashes of their friend, Jonesy, who drowned himself in the lake three years earlier. They settle in for a fun evening, entertaining each other with stories of murders, ghosts, zombies and possessions, but as day turns to night, the gang become aware of another horror story unfolding around them - And this one is real.

Tonight the World draws from a cross-section of dream diaries kept by Martin’s grandmother, Susi Stiassni, who fled the imminent Nazi occupation of Czechoslavakia in 1938. Through five chapters, the film links as many dreams sited in Susi’s childhood home, Villa Stiassni, a modernist mansion built by Susi’s parents, who were prominent Jewish textile manufacturers in the industrial hub of Brno. Conjured in Susi’s imagination from her middle-age onwards, in the context of psychoanalysis, the dream diaries as a whole span 40 years and 40,000 dreams, but Martin’s selection focuses tightly on dreams about intruders within the Villa, recreating a narrative of threat and escape that parallels Susi’s lived experience. Retracing the legacy of her grandmother’s emotional history, Martin considers the unconscious underpinnings of intergenerational trauma, loss and resilience.

Livre-arbítrio, identidade e humanidade colidem em uma máquina com inteligência artificial que acredita ser humana e aprende que seu destino pré-programado é liderar um exército de humanóides para salvá-los da extinção.

Uma família passa a noite em um parque remoto, mas tudo muda quando eles começam a ser perseguidos por três psicopatas mascarados.

Eight guys from a crime organization in London are sent to guard a coffin.