Linas Mikuta

Filmes

Mončys. Samogitian from Paris
Producer
Who was Antanas Mončys? A Lithuanian. A Samogitian. An emigrant. A Parisian. A son. Father. Husband. Brother. Sculptor. An artist who merged an archaic Lithuanian worldview with modern Western European art.
Mončys. Samogitian from Paris
Writer
Who was Antanas Mončys? A Lithuanian. A Samogitian. An emigrant. A Parisian. A son. Father. Husband. Brother. Sculptor. An artist who merged an archaic Lithuanian worldview with modern Western European art.
Mončys. Samogitian from Paris
Director
Who was Antanas Mončys? A Lithuanian. A Samogitian. An emigrant. A Parisian. A son. Father. Husband. Brother. Sculptor. An artist who merged an archaic Lithuanian worldview with modern Western European art.
Roman's Childhood
Producer
Romanas, his parents Aivaras and Diana and their little dog live in a cramped place in the Lithuanian harbour town of Klaipėda. Linas Mikuta takes an unprejudiced look at a loving family structure where dreams are interpreted, worries are shared and news negotiated over cigarettes and cake, while at the same time the narrative of a timeless childhood summer full of headstands by the side of the road, somersaults on the beach and afternoons in box houses unfolds.
Roman's Childhood
Editor
Romanas, his parents Aivaras and Diana and their little dog live in a cramped place in the Lithuanian harbour town of Klaipėda. Linas Mikuta takes an unprejudiced look at a loving family structure where dreams are interpreted, worries are shared and news negotiated over cigarettes and cake, while at the same time the narrative of a timeless childhood summer full of headstands by the side of the road, somersaults on the beach and afternoons in box houses unfolds.
Roman's Childhood
Writer
Romanas, his parents Aivaras and Diana and their little dog live in a cramped place in the Lithuanian harbour town of Klaipėda. Linas Mikuta takes an unprejudiced look at a loving family structure where dreams are interpreted, worries are shared and news negotiated over cigarettes and cake, while at the same time the narrative of a timeless childhood summer full of headstands by the side of the road, somersaults on the beach and afternoons in box houses unfolds.
Roman's Childhood
Director
Romanas, his parents Aivaras and Diana and their little dog live in a cramped place in the Lithuanian harbour town of Klaipėda. Linas Mikuta takes an unprejudiced look at a loving family structure where dreams are interpreted, worries are shared and news negotiated over cigarettes and cake, while at the same time the narrative of a timeless childhood summer full of headstands by the side of the road, somersaults on the beach and afternoons in box houses unfolds.
Dead Ears
Director
Two men, an aged farmer and his deaf-mute son, live in a remote area, isolated from civilization. Though sharing the same roof, problems, and sorrows they remain very distant from one another. Their attempts at conversation turn to misunderstanding if not conflict. Father thinks his son is abnormal and childish. Son sees his father as insensitive and crude. Can the two men find their way into understanding one another?
Fellow Travelers
Director
In the middle of December, on a snowy and grim day, three frozen fellow travellers reveal hidden corners of their soul to a passing driver, who stops to give a ride. Their shared stories overlap in one's mind, even though they don't know each other and maybe will never meet. The only thing that connects them is the same car, the same driver and the road they are travelling.
Dzukija’s Bull
Screenplay
It is an another world. A world far away from city noise and so called “modern culture”. A world that was created by God, not by human beings. Jonas, called by the villagers the “Bull”, because of his unbelievable strength, lives in such a world. He walks through his life unrushed and certain, reminding a today‘s man of his fragility. He reveals a world where life and death, joy and sadness, power and weakness coexist together inseparably, a world which fills up with apocalyptic visions and the “end of the world” feeling.
Dinner
Director
Dinner is a short documentary about people from the most vulnerable social layer. Every day they gather at the door of a charity canteen, waiting for a plate of hot food. Half-hour waiting makes for a dozen life stories revealing the fragile line between human hope and despair.