Sophie Corra

Two young men explore the underbelly of New York and one other.

Ali is a young Tunisian who dreams of a better life and ekes out a lonely existence selling contraband oil on the black market. When his father dies, he is forced to care for his two younger sisters who have been left to their own devices in a house from which they will soon be evicted. As he wrestles with the sudden weight of responsibility and the injustices he faces, anger and indignation stir within Ali – that of a generation still fighting to be heard more than a decade after the revolution…

Kate Berlant and John Early play celebrities reuniting after a public falling-out at a moderated TV event interspersed with absurdist sketches of varying characters, from strippers to a family of beavers.

Depois que sua melhor amiga desaparece em uma viagem de férias na Croácia, Beth corre para tentar descobrir o que aconteceu e acaba se envolvendo em uma teia de mentiras.

Enquanto procuram apartamento, as colegas de faculdade Noelle e Addie esbarram com a oportunidade das suas vidas: um sumptuoso duplex no Upper East Side de Manhattan. Mas logo após a mudança, emerge uma faceta mais sinistra do apartamento, quando chega uma misteriosa mulher que afirma que a propriedade pertenceu ao infame e recentemente falecido Jeffrey Epstein. Noelle torna-se obcecada pela mulher a ponto de se apaixonar e, à medida que a dupla mergulha nas conspirações do caso Epstein, Addie mergulha ela mesma num estado bizarro: uma pseudo-possessão acrescida de inexplicáveis acessos ​​de furor sexual regressivo.

A woman cons her way into another woman’s apartment, resulting in a strange and intimate encounter.

A short "making of" documentary for the stand out hit "Marlon Brando" by the incomparable Alex Cameron

Andrea (Jemima Kirke) é uma escritora que está encarando a recente sobriedade e cuja carreira estagnou depois da publicação de seu primeiro livro, ela começa um caso com Nick (Jamie Dornan), um médico que virou escritor celebrado por conta de um livro que ele publicou sobre suas experiências na guerra. Enquanto isso, Tara (Lola Kirke), irmã de Andrea, é uma massagista que namora um rock star de meia idade, ela encontra um novo vigor para religiosidade, talvez por conta de um rabino que tanto a atrai.

“Farah,” a bread seller, walks the streets of a Middle Eastern town, while an American military vehicle, surrounded by soldiers, slowly passes by. A moment’s silence. Then, a devastating explosion. Civilians are bloodied, wounded. The horrors of war. “Farah” looks around aghast and wailing. But nothing here is quite what it seems. In fact, “Farah” is a character played by an aspiring actress called Laila. And this isn’t Iraq, but a replica village erected on the Fort Irwin army base in California, used to train American troops before being sent abroad. Laila believes her acting talents are being wasted away in this arid simulation, where female role-players are limited to mute, background roles. She takes things much more seriously. Laila plots her way out.

Two couples and a surrogate lay bare the complications, contradictions, heartbreak, and absurdities implicit in how we think about motherhood.

Eles descobriram Arnold Schwarzenegger, criaram um império e iniciaram um movimento que mudou o mundo da musculação e do fitness. Esta é a incrível história verdadeira dos visionários irmãos Joe e Ben Weider.

When 24-year-old athlete Sam Fox launches a highly publicized campaign to break the speed record on the Pacific Crest Trail and raise $250,000 for Parkinson's disease, he quickly learns what it means to struggle in the spotlight.

Carmen, by Chloë Sevigny, is the 13th commission from Miu Miu Women’s Tales, the short-film series by women who critically celebrate femininity in the 21st century. Carmen has a loose, voyeuristic, improvisational mood that reflects Sevigny’s interest, making a short-film about process, being a woman, celebrity and ego.

Cecile wants answers, but, actually, she doesn't. After her ex-boyfriend's return to New York triggers overwhelming feelings of doubt and confusion, she embarks on a series of telephone conversations, all of which ultimately only distract her from the one conversation she really needs to have.

Século XVIII. A bela viúva Lady Susan Vernon (Kate Beckinsale) foge das fofocas sobre seus casos amorosos buscando refúgio na fazenda dos antigos sogros. Lá reflete sobre a vida e decide arranjar um novo marido para si e um bom pretendente para a filha, Frederica (Morfydd Clark).

A girl dreams of becoming a kitten.

Award-winning actress and filmmaker Chloë Sevigny returns to the director’s chair bringing her own instinctual depth and glamor to the short film Lypsinka: Toxic Femininity, a singular work centering around downtown legend Lypsinka, the surrealist and iconic stage creation of John Epperson. Inhabiting the words of Hollywood icons from Judy Garland to Joan Crawford trapped in an airless world of old-fashioned TV glamor, Lypsinka guides us through her fever dream as she grapples with her psyche as a celebrity.