Raúl Zurita

Raúl Zurita

Nascimento : 1950-01-10, Santiago, Chile

Perfil

Raúl Zurita

Filmes

Zurita y los asistentes
Golpes
voice
Golpes is a film that revisits the attack by the Chilean army to the Government Palace (La Moneda) in Santiago, Chile during the coup d'etat on September 11, 1973. Through images that document the palace and its surroundings, bullet marks on nearby walls, and the Atacama desert as a container of a history of disappearances and murders committed by the state, the film draws connections between the army from 1973 and the police force that guards the existing ideals inside La Moneda. The sound and the images are placed in hi-contrast as the boiling discontent outside this building becomes louder
Zurita, you will see not to see
Self
An account of the experiences by poet and National Literature Award laureate Raúl Zurita, during his travels and his daily life, as he reflects on topics such as state terrorism and death
O Botão de Pérola
Self
O oceano contém a história de toda a humanidade. No mar estão as vozes da Terra e de todo o espaço. A água, fronteira mais longa do Chile, também esconde o segredo de dois misteriosos botões encontrados no fundo do mar. Com mais de 4 mil km de costa e o maior arquipélago do mundo, o Chile apresenta uma paisagem sobrenatural, com vulcões, montanhas e glaciares. Nessa paisagem estão as vozes da população indígena da Patagônia, dos primeiros navegadores ingleses que chegaram ao país, e também a voz dos presos políticos chilenos. Alguns dizem que a água tem memória. Este filme mostra que ela também tem voz.
La colorina
Self - Poet
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Los náufragos
Poem
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.
Isla Negra: Neruda y el mar
Self - Host