Ângela Marques

Duas irmãs e um bando de gandulos planeiam aliviar a conta bancária do pai destas, mas o velho não será presa fácil. Adaptação do romance homónimo de Mário de Carvalho para este filme de Fabiana Tavares integrado no projeto Contado Por Mulheres.

“1618” is a film about the inquisitorial visit to Porto that encountered resistance from priests, ordinary citizens and the city authorities themselves, all accustomed for centuries to living alongside the Jews.

Josefina viaja para a região do Douro, em Portugal, para tomar conta do sobrinho Alexandre. Ela se dedica ao garoto, que foi abandonado pela mãe. Mas Alexandre acaba de chegar à adolescência e quer namorar. O jovem quer afirmar sua independência, o que acaba gerando um embate com a tia. Ele se aproxima da mãe, Ângela, que reaparece para reclamar sua partilha da herança. No entanto, a dedicação de Josefina é muito forte para ser esquecida.

Em um ambiente rural, um velho é informado de que sua falecida esposa foi vista no mercado. Rancoroso e triste, ele escolhe se esconder do resto do mundo. No entanto, seus amigos insistem que ele não deve ouvir boatos. Dizem que ele deveria tentar se recuperar e, quem sabe, até casar novamente. É uma história sobre a delicadeza da velhice, do que ainda resta para sonhar e amar quando você chega nesta fase da vida e o corpo enfraquece. Acontece num Portugal antigo e escondido que ainda existe apesar dos nossos esforços de modernização.

The Nun's Kaddish is a short film that portrays a true story of inter-religious kindness when a Nun observes a Jewish ritual, raising the spirituality of the two faiths towards a higher ...

Um brasileiro de 24 anos, que trabalha no Açougue do Batista. Seu ofício é desossar animais que chegam já partidos em pedaços grandes e sem o couro. Ele é conhecido pela sua agilidade e destreza.

In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.

In 1496, King D. Manuel prohibited Judaism. 400 years later, Barros Basto, a Portuguese army captain converted to Judaism, and about twenty Jewish merchants founded the Jewish Community of Oporto, in the north of Portugal.

Dr. Ivan encontrou duas curas radicais para a infelicidade.

Nos anos 60, António (Pedro Frias), um agente da PIDE, é destacado para seguir Aurora (Ágata Pinho) até Paris, uma jovem suspeita de oposicionismo. Decorre o mês de maio de 1968 e, durante a revolta estudantil, os dois jovens apaixonam-se. De regresso ao Porto, a paixão proibida termina bruscamente. Durante décadas, António escreve a Aurora cartas que ela guarda sem abrir. Quando a correspondência é inesperadamente interrompida, ambos desistem de viver. Baseado no romance da realizadora intitulado "A Casa Azul".

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Fragments of light and shade in the lives of a truck driver spiraling downward, his caring wife and their oblivious daughter.

I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.

Quatro pessoas encontram-se durante uma viagem de comboio no Douro.

Um grupo pouco recomendável de pessoas confronta-se numa casa de banho pública.

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Um homem fica amnésico depois de um acidente.

A família original é expulsa do Éden e obrigada a enfrentar as agruras da existência. Porém cada um dos seus membros encara diversamente o mundo. Tensões, ciúmes e sentimentos de culpa levam Adão, Eva e Caim a coligar-se contra Abel, obrigando-o a cometer o primeiro sacrifício.

Based on the installation Santa Paz Domestica, Domesticada by Ana Vieira (1977) and excerpts from the September 22nd, 1956 issue of the magazine O Cruzeiro.

Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

Having lost her place among the social elite, a widow remarries and starts a family.