Director of Photography
In September 1780, Johann Wolfgang von Goethe wrote the poem “Over all the hilltops is quiet now” on the timber wall of a hunting lodge on Kickelhahn mountain in the Thuringian Forest. Already in Goethe’s lifetime, these verses had been set to music by all kinds of composers. The newest musical interpretation is composed by Blixa Bargeld for the short film EIN GLEICHES. The film was shot in September 1997 in the area of the same hunting lodge on Kickelhahn mountain in the Thuringian Forest.
Director
In September 1780, Johann Wolfgang von Goethe wrote the poem “Over all the hilltops is quiet now” on the timber wall of a hunting lodge on Kickelhahn mountain in the Thuringian Forest. Already in Goethe’s lifetime, these verses had been set to music by all kinds of composers. The newest musical interpretation is composed by Blixa Bargeld for the short film EIN GLEICHES. The film was shot in September 1997 in the area of the same hunting lodge on Kickelhahn mountain in the Thuringian Forest.
Director
Director
Director
Director
A bust of Mao Tse-tung is being passed from person to person.
Director
Director
Director
Director
Director
Director
Screenplay
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Editor
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Cinematography
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Script
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Director
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Writer
Berlin 1978. The film tells the story of three women who live together and build a jamming transmitter, which they use to highjack the soundtrack of TV news broadcasts. Why they do this is explained through a polemic montage of archival TV footage, which shows how men in leadership positions talk about women and what they do.
Director
Berlin 1978. The film tells the story of three women who live together and build a jamming transmitter, which they use to highjack the soundtrack of TV news broadcasts. Why they do this is explained through a polemic montage of archival TV footage, which shows how men in leadership positions talk about women and what they do.
Script
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Editor
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Cinematography
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Director
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Editor
Cinematography
Director