Riki Kalbe

Filmes

Ein Gleiches
Director of Photography
In September 1780, Johann Wolfgang von Goethe wrote the poem “Over all the hilltops is quiet now” on the timber wall of a hunting lodge on Kickelhahn mountain in the Thuringian Forest. Already in Goethe’s lifetime, these verses had been set to music by all kinds of composers. The newest musical interpretation is composed by Blixa Bargeld for the short film EIN GLEICHES. The film was shot in September 1997 in the area of the same hunting lodge on Kickelhahn mountain in the Thuringian Forest.
Ein Gleiches
Director
In September 1780, Johann Wolfgang von Goethe wrote the poem “Over all the hilltops is quiet now” on the timber wall of a hunting lodge on Kickelhahn mountain in the Thuringian Forest. Already in Goethe’s lifetime, these verses had been set to music by all kinds of composers. The newest musical interpretation is composed by Blixa Bargeld for the short film EIN GLEICHES. The film was shot in September 1997 in the area of the same hunting lodge on Kickelhahn mountain in the Thuringian Forest.
Berliner Luft
Director
Der Horizont
Director
Fußvolk
Director
Monuments
Director
A bust of Mao Tse-tung is being passed from person to person.
From the Chancellery of the German Reich to Paraguay
Director
Zwei zu eins
Director
Kamen-Süd
Director
Knoten Sonnborn
Director
Ohne Nachtigallen
Director
Bodenproben
Director
Die optische Industriegesellschaft oder darf's ein viertel Pfund mehr sein?
Screenplay
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Die optische Industriegesellschaft oder darf's ein viertel Pfund mehr sein?
Editor
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Die optische Industriegesellschaft oder darf's ein viertel Pfund mehr sein?
Cinematography
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Die optische Industriegesellschaft oder darf's ein viertel Pfund mehr sein?
Script
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Die optische Industriegesellschaft oder darf's ein viertel Pfund mehr sein?
Director
The film combines documentary scenes, TV clips, and passages from an interview with the then Postmaster General Christian Schwarz-Schilling in a fictional plot and mixes video and 16mm film. A film on videotext and the brave new media world, in which the – presumably first – female hacker redirects a few things into other channels. It is also a critique of the working conditions in the emerging information service industry.
Hexenschuss
Writer
Berlin 1978. The film tells the story of three women who live together and build a jamming transmitter, which they use to highjack the soundtrack of TV news broadcasts. Why they do this is explained through a polemic montage of archival TV footage, which shows how men in leadership positions talk about women and what they do.
Hexenschuss
Director
Berlin 1978. The film tells the story of three women who live together and build a jamming transmitter, which they use to highjack the soundtrack of TV news broadcasts. Why they do this is explained through a polemic montage of archival TV footage, which shows how men in leadership positions talk about women and what they do.
Sweet Sticky Stuff
Script
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Sweet Sticky Stuff
Editor
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Sweet Sticky Stuff
Cinematography
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Sweet Sticky Stuff
Director
The initial idea was to make a children’s film about chocolate-covered marshmallows. How they are made, what they are made of, where they are made, who manufactures them under what conditions. The women who work on the assembly line are happy to tell us all about themselves. We are a welcome diversion. We noticed that the men have the better jobs and also earn more money. The women don’t entirely let themselves be taken in by the meritocracy. Talking, goofing off, and singing, they help each other to get through their 8-hour day. We like that. We drop the idea of a children’s film. In this film we tried out a documentary film form that deliberately does without interviews, relying instead largely on the effect of the images. From today's perspective the film alsooffers a glimpse into the history of migration in West Germany.
Im Prinzip haben wir nichts gegen Mädchen
Editor
Im Prinzip haben wir nichts gegen Mädchen
Cinematography
Im Prinzip haben wir nichts gegen Mädchen
Director