Bohdan Mazurek

Dois cientistas poloneses, Max (Jerzy Stuhr) e Albert (Olgierd Łukaszewicz), se submetem, em 1991, ao primeiro experimento de hibernação humana. Em vez de serem despertados após 3 anos, como planejado, eles acordam no ano de 2044, em um mundo pós-nuclear. Nessa nova realidade, os humanos refugiaram-se em instalações subterrâneas e, como resultado da sujeição a um tipo específico de radiação, todos os homens morreram. As mulheres se reproduzem através da partenogênese, vivendo em uma sociedade feminista totalitária, onde o Women League apparatchiks ensina que as mulheres sofreram na mão dos homens até que esses foram extirpados do mundo. O filme é uma sátira ao devaneio feminista e foi escolhido como melhor filme polonês dos últimos 30 anos em uma pesquisa de 2005 realizada pelas revistas Cinema, Esensja e Stopklatka. (e 16 - Estimado 16 Anos)

Drama about historical figure Barbara Radziwiłł, her romance with King Sigismund II August, her death and her posthumous return to Vilnius.

A man living a dream experience linked to memories of his childhood.

An erotic episode about farming in the world of robots. Cuttings do not want to undergo mechanical stimulation. A space inspector is the only one who can change their opinion.

Kalina links traditional animation with a re-projection. To the rhythm of the popular folk song Ukochany kraj, umiłowany kraj (Beloved country, dear country) he creates an anti-ballade about the farmer’s hard life and difficult work. Monotonous and mechanical activities degrade a man.

A top view of the A seats. We can hear the murmur of delegates gathering in the room. There are more and more people. The words of the speech are barely audible, but one may presume that an important member of the party talks to the working people. The delegates, wearing the same suits, smile approvingly. The camera moves to the B seats. The delegates sitting there grid their teeth, pout and frown. They comment on the speech quietly, they hide their anger. A look at the A seats, the delegates sitting there are really pleased with the speech. An animated story by Miroslaw Kijowicz, a director, scriptwriter of animated films, set designer and educator. An ordinary man was usually the protagonist of Kijowicz's philosophical short films. The situations presented in the films were rather general, they were supposed to provide food for thought. "A-B" obviously refers to the growing political crisis of the second half of the 1970s and Orwellian doublethink.

The second animated work from filmmaker, sculptor and painter Jerzy Kalina. Using multi-plane techniques mixed with paper animation and coloured grains (an element found in his first film, ...i stała się światłość, which I shall upload shortly), W trawie is a fantastical exploration of the world beneath our feet.

The young couple love each other. The boy is in constant work which will fit him, and in the end becomes a petty thief who cannot pay his debts anymore and decides to steal from homes where he pays scheduled visits to lonely housewifes. The girl works a nurse but is too sensitive in extreme cases. Running parallel to their story is a metaphor involving a castaway on a junkyard, who tries every means possible to get rid of the dog which becomes attached to him. In the end he attaches sticks of dynamite to the dog, but he breaks loose and the explosion wipes them both.

An anxiety-riddled woman and her husband reside in a small, secluded house in the forest. They live a relatively peaceful life until one night when the woman appears to fall sick and die.

It is a philosophical parable about a man at the crossroads. He divides himself in two, as he cannot decide on the one way only. Each half follows its own path. When they meet again, they do not fit each other any longer. The journey changed them irreversibly.

An alternately restrained and outrageous adaptation of Edgar Allen Poe’s “The System of Dr. Tarr and Professor Fether” that like OKNO ZABITE DESKAMI before it was updated to the modern world. It features a young man and a lady friend driving to an insane asylum whose overseers the woman knows. Weirdness is evident before they even reach the place, in the form of a ranting maniac in a tree. More crazies are found freely wandering the grounds of the asylum, they being participants in an apparently revolutionary new system instituted by the asylum’s director. But the director seems just as nutty in his own way as the patients...