Lars Barthel

Nascimento : 1953-01-01, Erfurt, Germany

Filmes

Rebels
Director of Photography
The rough, unkempt facades in Prenzlauer Berg – as if the skin had been peeled off the houses, says photographer Tina Bara. Having grown up in a prefabricated building, the young woman was drawn to East Berlin. She quickly got in conflict with the state, just like the artists Cornelia Schleime and Gabriele Stötzer, whom director Pamela Meyer-Arndt questions in her film about memories, traumas and creative genesis.
Expedição ao Ártico: Um Ano no Gelo
Cinematography
O Ártico está esquentando mais rápido do que qualquer outro lugar do planeta. Especialistas mostram que um Ártico sem gelo causaria a elevação do nível do mar, ondas de calor brutais, frio polar e tempestades catastróficas.
Arctic Drift
Director of Photography
It's the largest Arctic expedition of all time. In September 2019 the German icebreaker "Polarstern" is on its way to the North Pole. The best scientists of their generation are on board. Their job are to collect data about the ocean, ice, atmosphere and life. The mission is to understand climate change, because the changes in the Arctic have an impact far beyond the region. The documentary provides spectacular close-ups of the MOSAiC expedition under the direction of the Alfred Wegener Institute together with the Helmholtz Center for Polar and Marine Research (AWI) and shows the world of the Arctic during the polar night, from which hardly any data and images existed until now. A scientific, logistical and also human adventure of a community of researchers and crew members who let themselves be frozen with the ship for a year in the ice desert near the North Pole in order to use the natural drift of the ice, captured for the audience in impressive images.
Les hommes du désert : dans les pas des chameliers du Sahara
Director
Get Me Some Hair!
Cinematography
Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?
Get Me Some Hair!
Writer
Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?
Get Me Some Hair!
Director
Lars Barthel asks his Jamaican wife Antoinette why she often wears hair extensions. This personal curiosity leads Lars and his film to some complex and politically-charged questions. What is the relationship between hair and racism? And where do the hair extensions actually come from?
Closer To God
Cinematography
People have different ideas on how to get closer to God. The makers of this fascinating Swiss documentary follow two Pakistani men. One is a dervish or mystic, undertaking a life-long pilgrimage with heavy metal rings on his legs. He walks through the desert until his feet are raw, praying at every shrine he comes across along the way. The other is the custodian of a centuries-old musical tradition, for whom the idea of God lies in self-knowledge, insight and harmony with the environment – a harmony that he strives to achieve through life-long study and passing on his knowledge to new generations. In Pakistan, it is impossible for them to act together as the risk of attacks means any large meetings are prohibited. The film follows the men as they visit impressive holy sites, as well as in their everyday conversations, and provides a beautiful, sideways look at Pakistani society.
Free lunch Society: A Sociedade Do Almoço Grátis
Camera Operator
What would you do if your basic income was taken care of month after month? Would you stop working? Follow your passions? Take more risks? The four-figure sum that all four members of the Wardwell family receive each year from the Alaskan government’s crude oil profits goes towards a college fund for their children, something they would otherwise be unable to afford. Filmmaker Christian Tod, himself a fervent supporter of the idea, explores the model of an unconditional basic income and takes a look at trial systems already underway in the US, Canada and Namibia. Wandering the history of this utopia reminiscent of science fiction he eventually ends up in Switzerland, where the new system was voted on in 2016. In this multifaceted and highly entertaining documentary, Tod broaches life’s existential questions and fuels the debate on one of the most prevalent economic topics of our generation.
Als wir die Zukunft waren
Writer
Als wir die Zukunft waren
Cinematography
Als wir die Zukunft waren
Director
Exil nazi : la promesse de l'Orient
Camera Operator
Anderson
Himself
Documentary about poet Sascha Anderson.
Die Ex bin ich
Director of Photography
Comrade Couture
Cinematography
This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.
Mein Tod ist nicht dein Tod
Director
Outlaws
Cinematography
Documentary film.
Cracks in the Mask
Cinematography
A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.
Aufrecht gehen, Rudi Dutschke
Camera Department Manager
Ramona
Cinematography