Li Tse-Yu

Li Tse-Yu

Perfil

Li Tse-Yu

Filmes

The Jade Bow
Uncle Li Pan-Kuei
A villain steals a kung fu manual and kills the good swordsmen it belongs to. He masters the powers it offers and goes on to commit various evils. Twenty years later, a young swordsman heads off to take him to account. On the way he meets a couple of feisty young swordswomen, and his life gets more complicated.
The Reluctant Bridegroom
Hong Kong comedy film.
The Doctor and the Prima Donna
Famous dancer and film actress Fong Nan (Mao Mei) desires both a career and a family after marrying an eminent doctor (Guan Shan), who, however, wants her to be a stay-at-home wife. They are on the brink of divorce when he finds out she secretly rehearses for her dance and movie…Taking inspirations from Hollywood musical films, the movie is beautifully directed and meticulously produced by Yuen Yang-an and his Sun Sun Film Enterprises. While most films at the time usually depict how grassroots people rise above adversity, this one tells the story of a famed actress who thrives for success and never gives up on her artistic ambition. This reflects that women's liberation and employment was a dominating theme in left-wing movies. The finale was shot in Eastman colour negative film, which was rare before mid-60s given the limited technical resources in Hong Kong film industry, and thus a valuable record in the city's cinematic history.
The Street Boy
Young widow Li Jingqin is struggling to put her son Du Shaoxiong through school with her meagre income. Bullied by the landlady, Du spends his days wandering the streets where he is lured by a gang to commit crimes. Fortunately, Du has a heart of gold.
The Peerless Beauty
Li Bin
This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.
Should They Marry?
A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.
The Flower Girl
A Chinese drama