Dmitry Vorobiev

The film is about the relations between the inhabitants of Russia and the Caucasus, and about their influence on each other. Young Georgian Georgi Iobadze tells the audience the story of the Vainakhs (a group of peoples of the North Caucasus and Georgia) in the period from 1813 to 1913.

Film about the life of a modern Siberian Tatar village on a forgotten stretch of the Silk Road.

1943 year. Alma-Ata. The hero of the film is a young Michurin fruit grower who revives a medicinal apple variety and investigates a strange crime. The script was written based on the book by Mikhail Zoshchenko "Before the Sunrise".

Uma menina de seis anos chamada Anna tem toda a família assassinada em uma execução em massa de judeus. Por um milagre, ela sobrevive e passa as próximas centenas de dias escondida na chaminé em desuso de um comandante nazista. Relembrando sua vida que a guerra tomou, com os fundamentos culturais ensinados por seus pais e com a ajuda de um amigo, Anna precisa sobreviver e manter sua humanidade nas condições mais inumanas possíveis.

Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!

This is a collection of portraits: 23 short stories about the Marij women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.

Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.

Após a morte da esposa, Miron convoca seu amigo Aist para que saiam da cidade com o corpo e procedam o funeral e cremação à beira do rio e de acordo com as tradições mérias, etnia da qual descendem e de quem quase se perdeu a memória por terem se integrado aos costumes russos. Na volta pra casa, uma surpresa.

Mischa, a mute boy, sets out on a surrealistic journey together with his father and two men. Their means of transportation is an old Soviet locomotive, loaded with stolen coal. The travellers intend to sell off the loot on their way through the borderless steppes of inner Russia. As a parallel to the main plot, sequences of a mysterious travelling circus keep reappearing in a very suggestive way. Many of the odd artists at the circus are people that the four protagonists encounter in the wilderness along the overgrown railway. All through the movie there is a sensation of magic crossed with pure realism, stressed by the crackling communistic infrastructure and a twisted sense of humor. The border between reality and fantasy is very subtle here. The Railway is a story about strong family ties, but also an ambitious interpretation of the clash between the Russia of old and new. One could call it the rebirth of a long forgotten genre: the Russian wonder story.

In spring 1938 in the mountains in the north of Chile a fiery UFO, later named "Chilean Sphere ", fell down. The investigation of this episode, made by a film crew, has led to a sensational discovery. It appeared that before the Second World War (in the thirties) in the USSR a secret space program had been developed. The Soviet scientists and military authorities managed to launch the first spacecraft 23 years prior to Jury Gagarin's flight! "The First on the Moon" tells about everyday life, heroic deeds and tragedy of the first group of the Soviet cosmonauts. It is the first Russian film shot in a very rare genre 'mockumentary' or 'documentary fiction'.

In the hunting lodge on the outskirts of one-of-a-kind natural reserve lives game warden, Vasily Klintsov (Igor Lifanov), a young former captain from the special task force. A rich German businessman, in the company of the governor, comes to the nearby small town for hunting. Wild boar hunting is a risky and dangerous business. In addition, as ill luck would have it, a very dangerous criminal escapes from the closely located nearby maximum security penal colony. The hunt should be canceled. But the stakes for the bureaucrats are too high - the 'money bag' is prepared to invest in several large projects. Relying on the traditional Russian blind trust in sheer luck, the governor gives his OK for the hunt.

The protagonist is a teenager who inherited from his grandfather and grandmother a love of land, home, and all life that surrounds him. After his sudden disappearance, mysterious events begin to occur, which only a 12-year-old girl can penetrate into the secret.