Eisei Koi

Koji Himuro, a brilliant gambler, was killed by his brother and lover for discovering cheating gambling. As a result, he vows never to roll the dice, but gets involved in the incident everywhere he goes. The first in the "Black Gambler Series". The feature of this series is that the existing gag was mainly created by accumulating lines and small actions, but in this series, gag is done by exaggerated gimmicks. Film critic Hideo Nishiwaki points out that it may be the influence of the 007 movie series.

Shoichi Kokubun (Yujiro Ishihara) is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.

Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. In the film all three daughters become involved in some sort of complicated relationships. The sisters and their attached Men are deliberately designed as allegorical figures on the changing social conditions. A wonderfully funny, sometimes droll comedy between Nara and Tokyo, Adagio and Allegro, Yesterday and Today - in search of a morning.

Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi.