Director of Photography
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
Director of Photography
Gaffer
Nos dias finais do reinado de Marcus Aurelius, o imperador desperta a ira de seu filho Commodus ao tornar pública sua predileção em deixar o trono para Maximus, o comandante do exército romano. Sedento pelo poder, Commodus mata seu pai, assume a coroa e ordena a morte de Maximus, que consegue fugir antes de ser pego e passa a se esconder sob a identidade de um escravo e gladiador do Império Romano.
Gaffer
1943, an estate north of Firenze. The weight of the world is on the shoulders of Penny, who's about 10. An orphan, she must watch over her little sister when they go to live with her aunt and uncle. Penny's a Catholic, and worries about her uncle's soul. He's Jewish, progressive and a free thinker, a fair boss, and devoted to his family. He can be stern, so Penny also worries that she'll never please him and that he won't love her. Then, after the Allied forces land in Sicily and the Germans begin their retreat, Penny must worry about her uncle's life. She tries logic and appeals to human decency. Can a child keep the sky from falling?
