Igor Čamo

Aida é tradutora da ONU na pequena cidade de Srebrenica. Quando o exército sérvio assume o controle da cidade, sua família está entre os milhares de cidadãos que procuram abrigo no acampamento da ONU.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

Anka, 12, and Yelena, 45, know each other from the neighborhood grocery store where they spend their day, one inside, the other outside. One evening, an unexpected visit provokes an incident that both women will suffer from.

A possessive mother, a loving son, the fiancée's first visit, a mute witness... Four players around a pie.

After many years in Paris, Damir, professional saxophonist, returns to Sarajevo for a unique concert. One of his friends asked him to bring a gift to her best friend, Elma, who is waiting for Damir with surprises...

Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.

It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.

Thursday resulted from the famous Danish CPH-Dox projects whereby two filmmakers (one European, one non-European) collaborate. Suwichakornpong and Kameric wrote visual dialogues from Asia and Europe, as it were.

Kym, an Australian tourist, decides to travel to Bosnia. Her guidebook leads her to Višegrad, a small town steeped in history, on the border of Bosnia and Serbia. After a night of insomnia in the 'romantic' Hotel Vilina Vlas, Kym discovers what happened there during the war. She can no longer be an ordinary tourist and her life will never be the same again.

Rahima, 23 anos, e o irmão Nedim, 14 anos, são órfãos da guerra da Bósnia. Moram em Sarajevo, numa sociedade transitória que perdeu toda a compaixão pelos filhos dos que morreram durante o cerco à cidade. Após uma adolescência delinquente, Rahima encontrou um reconforto no Islão e espera que o irmão siga os seus passos. A vida deles complica-se quando, na escola, Nedim luta violentamente com o filho de um poderoso ministro do país.

Um jovem casal tenta superar obstáculos que ameaçam a sua relação. Quando Amar é demitido por beber no trabalho, aceita um emprego bem remunerado numa comunidade muçulmana fundamentalista afastada da cidade. Luna teme que o afastamento do marido interfira em seus planos de engravidar. Depois de ser proibida de se comunicar com Amar, ela é finalmente autorizada a visitá-lo na comunidade. Luna descobre um ambiente cheio de rituais – um mundo onde a vida diária de homens e mulheres é separada sob vigilância constante. Quando Amar volta pra casa semanas depois, ela nota que sua visão sobre religião mudou. Ela começa a questionar tudo em que antes acreditava, incluindo o desejo de ter um filho.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.

Mahir is married to Geraldine for three years and still they have no children. So Mahir becomes convinced that he is pregnant. From that moment, he keeps throwing up.

Em Sarajevo vivem uma mãe e sua filha adolescente. A garota pensa ser filha de um herói de guerra desaparecido no conflito dos Balcãs, mas na verdade a mãe esconde dela o fato de ter sofrido abusos sexuais durante a guerra, época em que ela foi gerada.

Dado Bratovic is comic-strip artist from Sarajevo. In 1996, after the war, he goes to get his ID card issued and finds out that he was reported dead just after the war started in 1992. Now he has to prove that he is alive.