Karol Siegel

Franciszek Brodniewicz reprises the role of Duke Waldermar Michorowski he played in the 1936 "Tredowata." Here, he leaves his recluse existence to help rescue the victims of a great fire, and suffers severe injuries. In his delirious state, he believes he is being taken care of by his dead wife, and (amara Wiszniewska, who is serving as his nurse, thinks his statements of love are meant for her. He is subsequently forced to disillusion the girl when he becomes normal, and she drifts into a casual love affair, but later falls in love with the Duke's nephew, (Wojciech Wojtecki.) The Duke later takes his nephew's place in a duel with the rejected suitor.

Two apartment house dwellers, although unrelated, share the same name. One is an older man with an appreciation for and love of classical music, while the other is a younger man addicted to swing music. The niece of the older man arrives for a visit and gets into the wrong apartment. Complications arise.

One of the few surviving documentaries about Jewish life in Poland before World War II, this film was produced to raise funds for the Vladimir Medem Sanitarium, an institution that stood as the embodiment of health and enlightenment, in striking contrast to the grim images of urban Polish-Jewish poverty.

Stefcia Rudecka starts working as a governess in an aristocratic house. Waldemar, the young heir, falls in love with her but his well-off family is not eager to accept the woman he loves.