Marco Saitta

In the early 20th century, impoverished teenage Italian cobbler Salvatore Ferragamo sailed from Naples to America to seek a better life. He settled in Southern California, and became Hollywood's go-to shoemaker during the silent era. In 1927, he returned to Italy and founded in Florence his namesake luxury brand. This feature-length documentary recounts his adventures.

Durante o boom econômico da década de 1960, o edifício mais alto da Europa está sendo construído no próspero norte da Itália. Do outro lado do país, jovens espeleólogos exploram a caverna mais profunda da Europa no intocado interior da Calábria. O fundo do Abismo Bifurto, 700 metros abaixo da Terra, é alcançado pela primeira vez. A aventura dos intrusos passa despercebida pelos habitantes de uma pequena aldeia vizinha, mas não pelo velho pastor do planalto de Pollino, cuja vida solitária começa a se entrelaçar com a jornada do grupo.

Durante o boom econômico da década de 1960, o edifício mais alto da Europa está sendo construído no próspero norte da Itália. Do outro lado do país, jovens espeleólogos exploram a caverna mais profunda da Europa no intocado interior da Calábria. O fundo do Abismo Bifurto, 700 metros abaixo da Terra, é alcançado pela primeira vez. A aventura dos intrusos passa despercebida pelos habitantes de uma pequena aldeia vizinha, mas não pelo velho pastor do planalto de Pollino, cuja vida solitária começa a se entrelaçar com a jornada do grupo.

Durante o boom econômico da década de 1960, o edifício mais alto da Europa está sendo construído no próspero norte da Itália. Do outro lado do país, jovens espeleólogos exploram a caverna mais profunda da Europa no intocado interior da Calábria. O fundo do Abismo Bifurto, 700 metros abaixo da Terra, é alcançado pela primeira vez. A aventura dos intrusos passa despercebida pelos habitantes de uma pequena aldeia vizinha, mas não pelo velho pastor do planalto de Pollino, cuja vida solitária começa a se entrelaçar com a jornada do grupo.

After a terrorist attack in Rome, the government urges the population not to leave their houses: several couples clash during isolation. Shot during the first COVID-19 lockdown.

After a terrorist attack in Rome, the government urges the population not to leave their houses: several couples clash during isolation. Shot during the first COVID-19 lockdown.

Soaked to the skin, Costantino sinks into the haystack like old timber left on the shore by a stormy sea. Torrential rain has just put out the fire that in a single night ravaged Assandira, a farmstay deep in the woods of Sardinia. But the rain hasn't quenched the pain, the endless remorse for the son lost to the flames, the son he was unable to save. The first to arrive are the carabinieri and the young investigating magistrate: Costantino tries to tell them what happened the previous night, to explain how it all began.

Os adolescentes Alessandro e Pietro são amigos inseparáveis em Nápoles. Eles aceitam a proposta do diretor de gravarem vídeos de si mesmos com um iPhone, comentando em tempo real suas próprias experiências diárias, sua grande amizade, o bairro em que vivem e uma tragédia em comum.

Os adolescentes Alessandro e Pietro são amigos inseparáveis em Nápoles. Eles aceitam a proposta do diretor de gravarem vídeos de si mesmos com um iPhone, comentando em tempo real suas próprias experiências diárias, sua grande amizade, o bairro em que vivem e uma tragédia em comum.

Os adolescentes Alessandro e Pietro são amigos inseparáveis em Nápoles. Eles aceitam a proposta do diretor de gravarem vídeos de si mesmos com um iPhone, comentando em tempo real suas próprias experiências diárias, sua grande amizade, o bairro em que vivem e uma tragédia em comum.

The Institute for Public Housing in Naples employs about 100 people. When the office is open to the public, employees receive residents who live in the 40,000 houses managed by the institute. Their task is to find solutions to citizens’ problems and trigger the bureaucratic procedures to solve them. But managing these chaotic lives within rigid legal structures is not an easy task and employees are often forced to resort to a singular art: “bureaucratic compromise”. (Tënk)

It's a documentary that examines the development of a group of teenage kids from the outskirts of Naples and their involvement in a theatre group. Chiara Stella, Domenico and Alessio are all 15 years old and every Monday they go to theatre classes at the Centro Asterix, a recreational space with a small theatre, located in San Giovanni in Teduccio, a district in the eastern suburbs of Naples. The film closely follows the relationships between the children and their teachers; Nicola encourages the children to look into themselves and find ways of facing life with a conscious and above all calm approach. The stories, the needs and personalities of Chiara Stella, Domenico and Alessio emerge through crises, successes and reflection; they open up to each other thanks to the methods and direction of Nicola and through improvisation on the stage. The theatre thus becomes a space for discussion and self-analysis.

While her best friend Vale can afford to be a full-time performer, aspiring dancer Eli has an unemployed husband and four children to take care of, and works all day long in a cafe on the opposite side of the city, meaning she has to wake up before dawn and comes home late at night. Her kind and effervescent nature still manages to overcome this hardships.

Two hunters discover a dead body hidden in the wood: it's impossible to recognize the identity of the murdered, because of a gunshot that has disfigured his face.

Two hunters discover a dead body hidden in the wood: it's impossible to recognize the identity of the murdered, because of a gunshot that has disfigured his face.

Two hunters discover a dead body hidden in the wood: it's impossible to recognize the identity of the murdered, because of a gunshot that has disfigured his face.

Four girls unknowingly experience the happiest days of their lives during an uneventful best-friend trip to Belgrade.

In the opening scene we are witness to an old man’s lament about a world he no longer understands. Subsequent sequences gradually introduce us to various inhabitants of an unspecified southern Italian village and to the many bizarre situations in which the characters of the three vaguely adumbrated stories appear. Although some of them meet on a daily basis, the viewer receives scant information about their relationships, let alone their lives, and with no plot context. Nevertheless, the tone generated by the artfully composed shots and musical accompaniment suggests something inauspicious, even subliminally disturbing. The film, the script of which earned director Caputo the Mattador International Screenwriting Award, seeks to explore the typical Italian provincial world where the effort to be new and modern clashes with a commitment to deeply rooted traditions.

On 8 August 1991, an Albanian ship carrying 20,000 people reached the port of Bari. The ship was called the “Vlora”. Mooring was difficult, and some of the passengers jumped overboard to swim to land, while many others chanted “Italia, Italia”, making the victory sign. On 7 August 1991, the ship, returning from Cuba, the “Vlora” had arrived at the port of Durrës with 10,000 tons of sugar in its hold. Work on unloading the sugar was underway when an enormous throng of thousands of people suddenly assailed the ship, forcing the captain to head for Italy. The next morning, waiting for the “Vlora” was an incredulous and stunned city and an empty football stadium where the Albanians were held before being sent back home. Twenty-one years have passed since that day. Most of the people who boarded that ship were sent back to Albania, but the crossings continued and many of them had another go. Today, 4.5 million foreigners live in Italy.

On 8 August 1991, an Albanian ship carrying 20,000 people reached the port of Bari. The ship was called the “Vlora”. Mooring was difficult, and some of the passengers jumped overboard to swim to land, while many others chanted “Italia, Italia”, making the victory sign. On 7 August 1991, the ship, returning from Cuba, the “Vlora” had arrived at the port of Durrës with 10,000 tons of sugar in its hold. Work on unloading the sugar was underway when an enormous throng of thousands of people suddenly assailed the ship, forcing the captain to head for Italy. The next morning, waiting for the “Vlora” was an incredulous and stunned city and an empty football stadium where the Albanians were held before being sent back home. Twenty-one years have passed since that day. Most of the people who boarded that ship were sent back to Albania, but the crossings continued and many of them had another go. Today, 4.5 million foreigners live in Italy.

Diaz - Política e Violência reconstrói com brutal e chocante realismo os eventos acontecidos durante o último dia do encontro do G8 de 2001, em Gênova, quando mais de 300 policiais atacaram a escola Diaz, buscando ativistas em protesto. O resultado foi uma explosão de cruel e descontrolada violência.

An irrepressible passion blossoms between 27 year-old aspiring writer Stefania, and Stefano, a 15 year-old high school student. Their unusual relationship obviously baffles friends and relatives of both components of the unusual couple. Can their feelings withstand their own fears and the pressure of society ? ...

The film succeeds in communicating the intriguingly spiritual dimension of human life that transcends religious

A documentary on the director’s career, featuring interviews with friends, collaborators, and filmmakers.

Six youngsters aged between 20 and 30 years old, stranded within the restricted values of a provincial city, constrained to live in an emotional void, lacking dreams and acknowledged values, brought together by their rage and feeling that they have nothing left to lose. Luca finds happiness with his ex-girlfriend's outgoing brother Riccardo. When a gay-bashing leaves Riccardo dead, Luca lures the perps to an abandoned factory basement, where he pretends to join in on their sadistic torture of a passerby before he turns the tables.

Six youngsters aged between 20 and 30 years old, stranded within the restricted values of a provincial city, constrained to live in an emotional void, lacking dreams and acknowledged values, brought together by their rage and feeling that they have nothing left to lose. Luca finds happiness with his ex-girlfriend's outgoing brother Riccardo. When a gay-bashing leaves Riccardo dead, Luca lures the perps to an abandoned factory basement, where he pretends to join in on their sadistic torture of a passerby before he turns the tables.

During 2004 alone, 1400 people in Italy died at their workplace. 3,87 per day. This is the story of one of them.

Argentinian biology student Miro falls madly in love with young actress Mercedes, but is without a clue as to how to win her love. Then, a series of misunderstandings put him in the hot seat as a famous film director. Miro grabs his chance to shoot a film with Mercedes as his leading lady, hoping that she will fall for him. Whilst his plan is crazy, it is simple enough and Cupid is on his side. But Miro hasn't reckoned with film students Peter and Luigi who wish to shoot a “making-of” documentary of the great Argentinian “director”at work.

In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, all while going out with the latter's former girlfriend.