Continuity
The film follows four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.
Script Supervisor
The film follows four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.
Continuity
Lek is a locksmith and Kong is a writer. When Kong comes up with a plan to put Leks lock picking skills to good use, the two start breaking into other peoples homes, not to steal anything but just to bask temporarily in the lives of others. Kong pries too deeply into someone elses life, and things grow rather complicated.
Continuity
A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.
Location Coordinator
A filmmaker captures images that characterize the violence and repression as well as the hope of rebirth and remembrance in northeastern Thailand.
Continuity
Morakot is a derelict and defunct hotel in the heart of Bangkok that opened its doors in the 1980's: a time when Thailand shifted gears into accelerated economic industrialization and a time when Cambodians poured into Thai refugee camps after the invasion of Vietnamese forces. It was a hosting time. Later, when the East Asian financial crisis struck in 1997, these reveries collapsed. Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
Production Coordinator
One of three films commissioned by the Jeonju International Film Festival in 2005. A couple escaped their family to look for a spiritual tree in the jungle. There is a song at night, a song that spoke about an innocent idea of love and a quest for happiness. Worldly Desires is an experimental project where I invited a filmmaker friend, Pimpaka Towira, to shoot the love story by day and the song by night. The story, Deep Red Bloody Night, was written by my assistant who wanted to reprise a forbidden love story in a more romantic time in the past. I picked a pop song, Will I be Lucky? to convey a sense of guiltless freedom one feels when being hit by love. The video is a little simulation of manners, dedicated to the memories of filmmaking in the jungle during the year 2001-2005. -Apichatpong Weerasethakul
Costume Supervisor
Roong anseia pelo dia em que possa estar com Min, o seu amante birmanês, um imigrante ilegal. Ela paga a Orn, uma mulher mais velha para cuidar de Min, enquanto ela procura um lugar para eles ficarem. Uma tarde, Min leva Roong a um piquenique na selva, onde se sentem seguros para expressar o seu amor. Mas enquanto isso, Orn também foi para a selva, com Tommy, colega de trabalho do marido...
Production Office Assistant
The subject is a 10 year-old boy who is in charge of the microphone. He roams to places around Bangkok to gather sounds for the video. The sound indicates the direction he headed during the filming and displays his point of interests. The filmmaker is in charge of the image, film roughly along at the boy’s locations. The narrative of the film, presented in texts, is taken from a Thai comic book available around the place of the filming. This faces and places documentation can be viewed as a one-afternoon diary of a day out in Bangkok.
